Trusty Chords

• Episode 64: Davey Lane – You Am I

  When you think about Australian music, it's a little hard not to think about Davey Lane. That might sound grandiose, but given he's spent more than 25 years as a guitarist for local legends You Am I, it's hard to classify him any other way.Joining the already-established outfit at just the age of 18, Lane swiftly found himself as part of Aussie music royalty, eventually going on to be part of ARIA Award-winning releases and countless revered live shows.He's also stretched his musical wings with his other band, The Pictures, and since 2013, he's been releasing solo gear as well. While last year's brilliantly-titled cover album, 'How To Make Davey, Vol. 1,' was one of my favourite records of 2024, this year, Lane is back with another album, this time called 'Finally, A Party Record.'Feeling like a love letter to classic '70s rock, it's a testament to his anachronistic place within the world of Australian music, but for those listening close, it's not exactly a party record in the strictest sense. It's a little bit deep, it's a little bit powerful, and it's a great example of Lane's many and varied talents.This week, I was lucky enough to have a brief chat with Davey Lane about his musical journey, and his latest record. Just a quick warning, Davey was out and about when we had the chat, so there's a couple of audio drop-outs here and there, but if you don't mind, then neither do I.Anyway, have a listen to Davey Lane's 'Finally, A Party Record' when it arrives next week, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

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• Episode 63: John Busby – Halfway

  Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.For the past 25 years, Brisbane's Halfway have operated as one of those well-kept secrets that often feels as though only a select few know about.Of course, with ARIA, APRA, and AIR Award nominations (and a win the latter category), along with three Queensland Music Awards, it's fair to say that their reputation and creativity has managed to transcend the categorisation of well-kept secret and become one of those groups with a passionate fanbase.Formed out of the likes of Queensland outfit St. Jude, Halfway emerged in 2000 and swiftly became a band who demanded your attention. With immersive musicianship and arresting songwriting, it didn't take long for their profile to grow and for the albums to emerge.This year, Halfway returned with their first new album in three years, 'The Styx.' Once again, it's a stellar release from the sprawling outfit, with the record's lyrical themes serving as something of a concept album. Along with repeated tales of characters often overlooked by the wider world, and a luscious musical backing, it's a record that I really recommend you spend some time with – both passively and actively, so as to get the full experience.This week, I was lucky enough to chat with Halfway's John Busby about his musical journey, and the story of the group's latest record.Anyway, have a listen to Halfway's 'The Styx,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

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• Episode 62: Bryan Estepa

  For a few decades now, one of Australia's greatest unsung musical heroes has been none other than Bryan Estepa. Born in the Philippines before moving to Australia as a child, Bryan has had a storied career as a musician, performing in bands such as Swivel and Hazey Jane before turning his attention toward solo gear. That solo gear first took form under the moniker Adeline before he decided to use his real name around 20 years ago.Since then, he's been a prolific artist, writing and recording frequently, and releasing myriad albums in recent decades.For those playing at home, the last time Bryan released a full-length album was back in 2019, with 'Sometimes I Just Don't Know' arriving before an EP called 'Back To The Middle' in 2021. But fast-forward to this year, and Bryan is back with another record called 'I See It Now.'It's an exceptional piece of work, drenched with clever songwriting, power-pop sensibilities, and an immense sense of passion. Truly, it's something worth your time.I've been following Bryan for many years now, but this week, I was lucky enough to finally have a chat with the great man about his musical career and that new album of his.Anyway, have a listen to Bryan Estepa's 'I See It Now,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

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• Episode 61: Justin Burford – End Of Fashion

  Cast your mind back 20 years and you might be taken right back to a moment in time where one of the most exciting Australian bands out there on the scene was none other than End Of Fashion.Formed in Perth by Justin Burford, who was at the time a member of The Sleepy Jackson, End Of Fashion found itself slowly finding fame thanks to constant airplay on triple j, and by the time 2005 rolled around, the group were readying their debut album.I can speak from experience when I tell you that it was pretty hard to ignore the stark black and yellow colour scheme of the band's debut album and singles, and equally hard was it to overlook singles such as 'O Yeah' and 'The Game.'ARIA Award winners with loads of potential, End Of Fashion unveiled a few new albums over the coming years, but ultimately went a bit silent in the following years. However, there have been a few singles since 2020, and this year, the group will be putting out their self-titled debut on vinyl and hitting the road for a national headline tour.Speaking as someone who actually saw End Of Fashion back in 2006 as part of my first 'real' concert experience, I can't tell you how excited this makes folks like myself.As you might be able to gather by this point, I was lucky enough to be joined by the musical mastermind that is End Of Fashion's Justin Burford this week. And yes, I certainly did ask if he remembers that 2006 gig.Anyway, have a listen to End Of Fashion's back catalogue (and their self-titled debut), buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

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• Episode 60: Ashlea Jaye – Left On Seen

  If you know me (or simply listen to the podcast – both are very good options), then you'd likely know how much I like to surround myself with musicians I both enjoy and respect. Frankly, with that in mind, I reckon you can't go past someone like Ashlea Jaye.A lifelong lover of music and a self-described theatre kid, Ashlea has been a supporter of music for as long as I've known her. If you're from Adelaide, you might know her from her time hosting the Peripheral Noise show on Three D Radio, or you might know her from musical groups such as Twin Decoy or Left On Seen.It's the latter which might jog your memory the most, with the duo (which also comprises Will Adam) releasing some stellar music in recent years. Whether it's the killer debut single "Life Support," their cover of SZA's "Kill Bill," or their brilliant 'Wilted' EP from this year, you can't go wrong.Alongside that though, Ashlea is also a huge supporter and advocate for those with disabilities both in and out of the music scene. An AuDHD, disabled artist, creative, musician, singer, and writer who juggles so much in her day to day, the fact that July was Disability Pride Month felt like an immensely fitting time for us to speak.Also, because it's the month in which Left On Seen will play a stellar hometown show as part of Fangz' album launch tour. It's also going to be a special one, but I'll let Ashlea tell you why that is…Oh, in case you couldn't tell, Ashlea is my guest on this week's podcast! Needless to say, I'm always happy to use this podcast to showcase musicians who I call friends, and this was a great opportunity for Ashlea and myself to just nerd out for… a long time.Anyway, have a listen to Left On Seen's back catalogue, buy a ticket to their upcoming show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

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