Trusty Chords

I'm going to make a bold claim that if you're listening to this podcast, you've got a very good taste in music. That's why I think you'd do very well to check out Melbourne's own Fairtrade Narcotics.

A genre-defying six-piece ensemble who are often described as blurring the edges of jazz rock and psychedelic pop, they've been in the game for close to a decade now, making lovers of luscious tunes swoon, and melting faces along the way.

This week, they release their second album, 'Recession Pop', and I believe it's one of those albums you need to listen to in full to really appreciate. Don't go shuffling it on streaming or picking out the singles – pop it on, sit with it, and let it musically overwhelm your senses.

Describing the record as a "soundtrack to a bubble-gum dystopia", it's an album which comes from a period of evolution and change for the band. 

Alongside relocating studios, welcoming new members, and further honing their eclectic sound, Recession Pop is a sonic snapshot of a band who have been at it for some time, but are only now showcasing their full potential as songwriters, performers, and artists.

This week, I was lucky enough to catch up with Wilsen Conn, George Inglis, and Brooke Kymberley of Fairtrade Narcotics for a chat. If George sounds familiar, that's because he joined in during the Sleepazoid chat a few weeks back. Much like that podcast, drummer Luca Soprano couldn't make it – but I'm not taking it personally.

Anyway, have a listen to Fairtrade Narcotics' 'Recession Pop', buy a ticket to their upcoming tour and their album launch show this evening, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

For close to 15 years now, I've been a massive fan of Adelaide's Bad//Dreems.

Regarded as one of Adelaide's finest purveyors of pub-rock (a term they initially shied away from), Bad//Dreems first formed back in 2011, and wasted no time hitting the ground running.

A debut EP gave way to 2015's 'Dogs At Bay,' which was followed by 2017's 'Gutful,' and 2019's 'Doomsday Ballet.' In 2023, the group re-emerged from COVID with Hoo Ha!, their best-performing record to date, and their only one to (so far) to receive an ARIA Award nomination.

As I said at the start, I've been a massive fan of Bad//Dreems across this past decade-and-a-half. In fact, if you know anything about me, it's how much I am a fan of this group.

As it stands, they're currently the band I've seen the most, I've also spent time in the studio with them, and they even refer to me as their number one ticket holder – which I'm not going to complain about.

Last week, they released their fifth album, 'Ultra Dundee,' which is arguably one of their finest releases to date. It's powerful, it's mysterious, it's angular, jagged, and luscious, and it's the distillation of what Bad//Dreems have been leading to after all these years.

Sadly, the record was also accompanied by the news that, after their upcoming tour, Bad//Dreems will be going on an indefinite hiatus.

So I recently wiped away the tears and had a chat with founding Bad//Dreems members guitarist Alex Cameron, and vocalist Ben Marwe. Together, we had a lengthy chat about their career, their new record, and what this hiatus means for them.

Anyway, have a listen to Bad//Dreems' 'Ultra Dundee,' buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

If you've ever thought to yourself, "Son of a gun, I reckon 'bush-psych' is one of those genres that should exist," well, have I got a name for you.

That name is William Crighton, the Australian musician originally from Dubbo, who launched his career 25 years ago. However, his musical journey really begins in earnest with the release of his self-titled 2016 album.

Remarkable in his musical approach thanks to a profound compositional and lyrical sense that manages to intertwine time, place, country, and emotion in a raw, yet profound mix, Crighton's work has been recognised as, I believe the technical term is 'pretty bloody good', having taken home the ARIA Award for Best Blues And Roots Album off the back of 2022's 'Water And Dust'.

Today, Crighton is back with another corker of a record, 'Colonial Drift'. If you're in the mood for a good time, I implore you to pop those headphones on, sit back, and let him transport you with his myriad musical talents.

This week (well, we recorded this over a month ago), I was lucky enough to be joined by William Crighton for a chat about his new record, his musical past, and everything else. The audio is a bit spotty due to a poor internet connection, but I won't fret if you don't.

Anyway, have a listen to William Crighton's 'Colonial Drift', have a listen to our chat, buy a ticket to his upcoming tour, and I’ll see you at the end of the episode for some general housekeeping.

For over two decades now, the world of indie rock and emo has hosted none other than Pennsylvania's Tigers Jaw.

First formed in 2005 as a two-piece, the project soon expanded and began releasing music. In 2008, their self-titled second album was released, firmly establishing the group as one of the genre's finest acts. In fact, you'll find tracks like 'Plane vs. Tank vs. Submarine' and its sublime follower 'I Saw Water' rightly considered some of the best in the '00s emo revival.

This is all to say that Tigers Jaw do a pretty fine job, and that formative success has only followed them. While the group's membership has ebbed and flowed – though always comprising Ben Walsh since its formation and Brianna Collins since 2006 – their music has continued, with new records arriving with regularity.

Now, after five years, Tigers Jaw are back with their latest record, Lost On You, and it's a stellar piece of work. Powerful, emotive, and punchy as ever, it's an amazing album which shows that more than 20 years into their career, Tigers Jaw are nowhere close to being done with their roles as impressive musicians.

This week, I was lucky enough to have a chat with Ben Walsh in the lead-up to the record's release on March 27th. 

Anyway, have a listen to Tigers Jaw's Lost On You when it arrives (but listen to the rest of their discography in the meantime), have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

I'd like to imagine that I'm like a lot of people when I say that I enjoy music that doesn't take itself too seriously. That's probably why I found myself resonating with Electric Six when they first broke onto the scene over two decades ago.

By the time they turned heads with 2003's debut album, 'Fire', the group had been around for quite some time already, having first launched as The Wildbunch in Detroit back in 1996, and adopting their current name a few years later following some shuffling of members.

That debut album was an impressive one, spawning hits like 'Danger! High Voltage', 'Dance Commander', and 'Gay Bar,' and proving that you don't need to be a solemn-faced, suit-wearing rocker to make a splash.

They certainly rocked though, blending elements of rock, disco, and even metal in their work to craft a sonic palette which was as varied as it was impressive. Hell, their latest tour poster calls it 'disco-punk and metal-funk', so it's one hell of a descriptor.

Pretty soon, they became a prolific entity, and between 2003 and 2023, they averaged around one album a year between myriad live shows. That initial success brought with it a pair of Australian visits in 2004 and 2005, but from there it was a long wait for a return. In 2023, they made a long-overdue comeback, following it up again the year after. 

Now, Electric Six are back for another Australian tour this month, and to celebrate, I was lucky enough to spend some time with frontman Dick Valentine (or Tyler Spencer, as his driver's license would tell you) for a chat about the group's enduring legacy.

Anyway, have a listen to Electric Six's lofty discography (maybe start with 'Fire' – it's great!), have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.