New Books in Music

This episode features a conversation with Carnatic vocalist, T.M. Krishna, who is also the author of two books on this musical tradition. We began with his first book’s account of the modernization of Carnatic music through a set of social, technical, and spatial processes that transformed it from a more socially diverse practice into a predominantly Brahmin performative genre. We moved on to discuss a figure who is at the heart of his second book: the maker of the Carnatic percussion instrument, the mrdangam. This took us into an extended discussion of the changing relationship between mrdangam makers, who are predominantly Dalit, and mrdangam players, who are predominantly Brahmin, and what the complex mix of inequality, stigma, artistry, and pride suggests about the specificity of this inter-caste relationship. The episode ended with Krishna fleshing out his distinction between classical music and art music and the reasons why he rejects the former in favor of the latter.

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Guest

T.M. Krishna is a vocalist in the Carnatic tradition and the author of two books and numerous articles.

References

T.M. Krishna, A Southern Music: The Karnatik Story (Harper Collins, 2016).

T.M. Krishna, Sebastian and Sons: A Brief History of Mrdangam Makers (Westland, 2023).

Devadasi: refers to a historical practice of “marrying” girls to a temple deity. In the pre-colonial period, Devadasis held a respected place in society as literate, land owning women who were highly trained in music and dance. During colonialism, their sexual relations with male patrons came to be seen as a threat to householder society and they became targets of moral reform. The Devadasi system was abolished in 1947.

Sadir: a dance form historically performed by the Devadasi community that was the precursor to modern Bharatanatyam.

Bharatanatyam: a modern dance form now widely performed by upper castes.

Khayal: vocal genre of North Indian music.

ICS: Indian Civil Service, the higher tier of colonial administration in British India that became the basis of the post-independence Indian Administrative Service.

The Music Academy: the main performance space for Carnatic music in Madras (now Chennai), India.

Kutcheri: term for the venue where Carnatic music is performed.

Thanjavur: city in the Indian state of Tamil Nadu known for its art and architecture.
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Philip Norman's latest biography, Mr. Moonlight (DaCapo Press, 2026) is the definitive, comprehensive biography of Brian Epstein--the man who built the Beatles. There will never be another pop manager like Brian Epstein, the young record-retailer from Liverpool behind the 20th century's greatest romance. Having achieved his much-derided aim of making the Beatles "bigger than Elvis," Brian went on to make them bigger than any earthly instrument could measure. Only a handful of years older, he nonetheless referred them as "the Boys," protecting and pampering them like the children he could never hope to have. Due to his homosexuality--and possibly his Jewishness--Brian received no public honor (or even thanks) for this incalculable contribution to Britain's exports, let alone the national morale. He may not have been the best dealmaker for the Beatles, but in his hands, their guiding principles were always good taste, niceness to their fans, and value for money. Yet his only tangible memorials are a blue plaque marking his former office in London's theatreland and a modest bronze statue near the site of his family's electrical goods store in Liverpool. Mr. Moonlight draws on a cache of never-before-heard audio interviews to tell the story of this hugely complex, self-contradictory, and ultimately tragic character. From his Pre-Beatles years--the eight different expensive private schools at which he failed to shine, his problematic career as an army National Serviceman, his vague ambitions to be a couturier--through his management of the Beatles, where he turned a quartet of unruly young musicians in cracked black leather into a worldwide religion, up to his supposedly "incautious" overdoses in 1967 at aged 32, and the calamity that followed. As John Lennon said upon hearing the news, "Then we're fucked!"--and they were.
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1. A complete list of University of California Press journals is available at UC Press Journals

2. Clare E. B. Cannon; Advancing sustainable transitions: A spatial analysis of socio-environmental dynamics of landfills across the United States. Elementa: Science of the Anthropocene 12 January 2024; 12 (1): 00101: Link

3. Morrison, Matthew D. Blacksound: Making Race and Popular Music in the United States. Oakland: University of California Press, 2024. Available at: UC Press Bookstore

4. Matthew D. Morrison; Race, Blacksound, and the (Re)Making of Musicological Discourse. Journal of the American Musicological Society 1 December 2019; 72 (3): 781–823: Link

6. Jennifer Lynn Peterson; Scenes of Destruction and Beauty: Sponsored Film, Women Reformers, and the Save-the-Redwoods League. Feminist Media Histories 1 April 2023; 9 (2): 43–75: Link

If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press Website.

David Famiano is the Journals Director at the University of California Press

Jessica Chesnutt is the Journals Manager at the University of California Press.
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Sanskrit hymns of praise (stotra/stuti/stava) have been popular and influential within multiple religious traditions for thousands of years. Sanskrit hymns remain lively, meaningful parts of the religious lives of countless Hindus, Buddhists, and Jains today, and new stotras continue to be composed and recited around the world. The academic study of these hymns has made notable progress in recent decades as scholars have paid increasing attention to such compositions. A valuable pedagogical resource for educators teaching about Asian religions and literature, especially in comparative contexts, Sanskrit Hymns Across Traditions: Studying Stotras (Routledge, 2026) also establishes the foundation for future research and scholarship on a genre of religious poetry popular across South Asian religious traditions.
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In 2025, the U.S. Department of Housing and Urban Development (HUD) marked its 60th anniversary. Created amid the optimism and urgency of the civil rights era, HUD embodied a bipartisan commitment to building stronger, more integrated, and equitable cities. How did that vision unfold alongside the music, culture, and politics that shaped urban life?

Street Level, a special audio documentary episode of Soundscapes NYC, explores the intertwined histories of urban policy, housing, and popular culture in the years following HUD’s establishment. Through archival recordings, immersive sound design, and music drawn from the neighborhoods most affected by federal housing decisions, the documentary traces how government policies shaped city life—and how residents responded through creativity, resilience, and community.

Featuring insights from historian and author Bench Ansfield, author of the Pulitzer Prize-nominated Born In Flames, senior career HUD staff members Kent Watkins and John Finch, and public history scholar Kristin Sylvian, Street Level connects policy decisions to lived experience, revealing how federal housing initiatives shaped the urban landscape—and how music and culture helped sustain joy, identity, and perseverance when city life grew more difficult. Part history, part cultural exploration, and part sonic journey, Street Level offers a powerful new perspective on the forces that have shaped America’s cities.

HOST/PRODUCER: Ryan Purcell

WRITER/PRODUCER: Shelagh Little
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