Brian Campeau's country-tinged left turn, and Erik Satie—from the sublime to the surreal
Brian Campeau Presents Jo Dellin And The Bone Spurs is the latest album from the Canadian-born, Melbourne-based singer songwriter. Reinventing his sound with each record, the music here forays into country and bluegrass, with songs of love and loss punctuated by fiddle, pedal steel guitar and… yodelling. Brian is in The Music Show studio to perform two songs from the album live and talk about his endless musical flexibility.And on the 100th anniversary of his death, Andy remembers Erik Satie, composer of delicate, contemplative piano works, and “obscene” operas. A true eccentric, his personal quirks (such as keeping two broken pianos on top of each other in his flat, one filled to the brim with unopened mail) paint a complicated picture when set alongside his meditative, introspective Gnossiennes and Gymnopédies. Pianist and conductor Reinbert De Leeuw speaks about the unique challenges of performing them, in an interview from The Music Show archives.Plus, hear new music from jazz guitarist Mary Halvorson, and The Rolling Stones pay tribute to 'the king of zydeco' Clifton Chenier.
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Lorde reborn
Lorde’s fourth studio album Virgin is a rebirth for a generational artist still in her 20s. Ella Yelich-O’Connor became a household name as a teenager after her debut album Pure Heroine delivered a new minimalist art-pop sound with hip hop production and a persona of magnetic self-assurance. The albums that followed represented two very different coming of age moments – 2017’s Melodrama and 2021’s Solar Power – for a young artist confronted with fame. Now, after over a decade in the public eye, Virgin walks the tightrope between experimentation and hitmaking pop, metaphorical obscurity and confessional sincerity. Ella joins Andy via zoom. Composer Christine Pan’s new song cycle The Parts We Give has already had multiple lives. It’s being performed live this weekend with two singers (Megan Kim and Wesley Yu) who perform the roles of Jiejie and Didi (‘sister’ and ‘brother’). But it’s also a DIY video game. Producer Ce talks to Christine about how operatic vocals, glitchy hyperpop, and 8-bit gameplay can tell the story of love in a Chinese-Australian home.The Parts We Give is at ESCAC by Brand X in Sydney, 27-28 JuneYou can play the game via Fable Arts here
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Margret RoadKnight—60 years in the business
Singer and guitarist Margret RoadKnight doesn't write her own songs but she's had a six decade career interpreting other people's. She has a voice able to sit across a range of musical styles—from blues to gospel, folk to jazz.This career spanning conversation was originally recorded in 2019, and we’re running it again to celebrate four of Margret's albums from the 1980s and 90s being made available on Bandcamp for the first time (via Chapter Music).
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A Plastic Ocean Oratorio from Omar Musa and Mariel Roberts Musa, and a new Chapter for Guy Blackman
Omar Musa and Mariel Roberts Musa’s collaborative performance work The Offering is subtitled ‘A Plastic Ocean Oratorio’. For Musa, it is “an offering of borderlessness in an archipelago of humanity”. It confronts the present – climate change, colonisation, personal histories – with an imagined future narrative through Omar’s inimitable spoken word and Mariel’s fearless cello, which we’ll get a sneak preview of from the Riverside Theatres rehearsal room. Guy Blackman was a Pink Floyd-obsessed teenager living in Perth when he started a Syd Barrett fanzine which eventually morphed into the beloved indie record label Chapter Music. For 33 years the label has released albums by Australian bands and artists like NO ZU, Twerps, June Jones, Laura Jean, alongside reissues and compilations from international artists like Kath Bloom and Smokey. This year Guy is winding the label back, choosing to focus solely on reissues. He chats to Andrew about three decades of change in the music landscape, and about his new solo album Out Of Sight, which belatedly follows up his 2008 debut Adult Baby. And Andy remembers Alfred Brendel, the pianist who has died at the age of 94.
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Collecting Scots songs on horseback and remembering The Beach Boys' Brian Wilson
The Glasgow-based singer Quinie travelled across Argyll on her horse Maisie to collect old Scots songs for her new album Forefowk, Mind Me. On this record, Quinie (whose real name is Josie Vallely) pays tribute to her ancestors as well as Scots Traveller singers like Lizzie Higgins, whose deep connection to the land has been expressed beautifully in song for generations. She speaks to Andy about arranging ballad and piping traditions, the melodic influence of the Irish uilleann pipes on this record, and why travelling across the landscape on a horse changes one’s perspective and approach to music. The Beach Boys' Brian Wilson was a pop genius. He wrote some of the loveliest tunes of the 1960s and fitted them out with harmonies that sounded like no one else's. He also produced the recording, so can legitimately be credited with creating the band's sonic image. He drew inspiration from Chuck Berry's guitar licks, tuning them into the sound of surf, and Phil Spector's studio-built orchestration, adding harpsichord, sleigh bells and a theremin. What resulted, was something completely distinctive and instantly recognisable as the Beach Boys.The Music Show pays tribute to Brian with some gems from the archives, including an interview with Andrew Ford from 2002.
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