The Music Show

From a teenage band driving up and down the coast in a station wagon to one of the biggest Australian bands of all time, Midnight Oil survived on the backbone of drummer, founding member, and songwriter Rob Hirst. Hirst, who has died at the age of 70, was a frequent guest on The Music Show, both as an Oil and with his blues band the Backsliders, and we remember him with a selection of appearances, including his demonstration of the musical washboard.
And Pinchgut Opera remembers three great opera performers with a new release of the 2019 production of Vivaldi's Farnace. Featuring stunning performances by Taryn Fiebig (1972-2021), Max Riebl (1991-2022), and Jacqueline Dark (1967-2023), it's a vivid record of the production in its own right, but also a memorial to the memories of three artists gone too soon. Pinchgut artistic director and conductor Erin Helyard joins Andy to listen to their voices. 
Music heard in the program:
Title: Beds Are BurningComposer: Hirst, Rob; Moginie, Jim; Garrett, PeterArtist: Midnight OilAlbum: Diesel and DustLabel: Columbia
Title: Feeling BlueComposer: John FogertyArtist: BackslidersAlbum: Starvation BoxLabel: Fuse Music
Title: US ForcesComposer: Hirst, Rob; Moginie, Jim; Garrett, Peter, Rotsey, Martin, Gifford, PeterArtist: Midnight OilAlbum: 10, 9, 8, 7, 6, 5, 4, 3, 2, 1Label: Columbia
Title: Sinfonia. Allegro (1)Composer: Antonio VivaldiArtist: Taryn Fiebig, Pinchgut Opera, Orchestra of the Antipodes, Erin HelyardAlbum: FarnaceLabel: Pinchgut Live
Title: Tito Manlio, RV 738, Act II Scene 18: Aria. Fra le procelleComposer: Antonio VivaldiArtist: Max Riebl (Gilade), Pinchgut Opera, Orchestra of the Antipodes, Erin HelyardAlbum: FarnaceLabel: Pinchgut Live
Title: Farnace Act III Scene 1: Aria: Non trova mai riposo Composer: Antonio VivaldiArtist: Jacqueline Dark (Berenice), Pinchgut Opera, Orchestra of the Antipodes, Erin HelyardAlbum: FarnaceLabel: Pinchgut Live
Title: Ottone in villa, RV 729, Act II Scene 6: Aria. Leggi almeno, tiranna infedeleComposer: Antonio VivaldiArtist: Taryn Fiebig (Selinda), Pinchgut Opera, Orchestra of the Antipodes, Erin HelyardAlbum: FarnaceLabel: Pinchgut Live
Title: Don't Let Me Be MisunderstoodComposer: Bennie Benjamin, Horace Ott, Sol MarcusArtist: Nina SimoneAlbum: Broadway-Blues-BalladsLabel: Philips
The Music Show is made on Gadigal, Gundungurra and Wurundjeri Woi Wurrung Country. 
Technical production by Micky Grossman.

The bouzouki has been a feature of Irish folk music since the mid-1960s, and one of the instrument’s finest modern exponents is Daoirí Farrell. He’s also a singer and a song collector, and he's brought his instrument into our studio to demonstrate how the three things fit together.
Post-post-modern chanteuse Meow Meow returns to The Music Show to talk about The Red Shoes, the third show in her series of Hans Christian Anderson adaptations. She goes into both the music and the research behind the show, including the revelation of a Danish ballet dancer whose "feet ran away with her", that may have inspired the tale.

In February 1975, Keith Jarrett turned up at the Cologne Opera House to play a solo concert. He was tired, hungry and in pain, and the Bösendorfer piano was falling apart. Technicians worked on the instrument before and after that night’s opera performance, and the 18-year-old promoter talked Jarrett into going on. Still tired, still hungry (dinner arrived too late), still in pain, and very much against his better judgement, Jarrett took the stage at 11.30pm and played what we now know as The Köln Concert, the biggest selling solo jazz album and biggest solo piano album of all time. Jazz pianist and composer Matt McMahon joins Andy at the ABC’s well-maintained Bösendorfer to talk us through that night and its resultant music.

Lajamanu is one of the most remote places in Central Australia, and it’s where we meet Wanta Jampijinpa Pawu-Kurlpurlurnu, his father Jerry Jangala Patrick OAM, and the music producer Marc ‘Monkey’ Peckham. Crown & Country is a new album and film that’s come out of more than a decade of friendship and collaboration between Wanta, Jerry and Monkey. Blending Warlpiri Jukurrpa (Dreaming) songs, cultural stories, soundscapes from the desert, and electronic beats, it’s a compelling and immersive way of sharing Warlpiri culture with new audiences.
The Shangri-Las were responsible for hits like Leader of the Pack and Remember (Walkin’ in the Sand), teenage soap opera songs that sounded like nothing else on radio at the time. Melbourne historian and musician Lisa MacKinney has written the first full-length history of 1960s New York pop group.
MacKinney’s book Dressed In Black: The Shangri-Las and their Recorded Legacy flips a lot of the accepted narrative about the group on its head, and argues that their talent and musicality has been overlooked due to their age and gender, and that the emotional impact of their (relatively small) collection of songs is of lasting importance.

On the 25th of August, 1975, Bruce Springsteen released Born to Run, the "dividing line" of his career. Starting with the title track, written on the edge of his bed in a rented cottage in New Jersey, Born to Run signalled the arrival of Springsteen, and the E Street Band. 
A child of the Kennedy, King, and Malcolm X assassinations, Springsteen transformed classic rock and roll images - the road, the car, the girl - into something potent and virile that reflected the sense of dread in the air. 
Musician and academic Toby Martin and writer and critic Kerryn Goldsworthy join Andy to trace the arc of Born to Run's story through one violent night in the city, and the root system of its influences, from Roy Orbison, to the Bible, and West Side Story.