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In Conversation

2MBS Fine Music Sydney
In Conversation
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  • Ana de la Vega: The poetry of persistence
    A chance encounter with Mozart’s Flute and Harp Concerto changed Ana de la Vega’s life forever. It inspired her so much that she is now one of the most sought-after flautists of her generation, praised for her crystal clear and velvety tone. She has appeared in some of the world’s most prestigious venues, including Philharmonie Berlin, the Concertgebouw in Amsterdam, and London’s Wigmore Hall. No stranger to the recording studio, she’s released six albums, including the enchanting My Paris. Having been based in Europe for 15 years, Ana has returned to Australia and is now artistic director of the Snow Concert Hall in Canberra.Ana’s career is a story of dedicated practice and determined persistence, from knocking on doors in Paris to study under teachers connected to her musical idol Jean-Pierre Rampal, to creating an entirely new concert series at the Snow Concert Hall from scratch. She describes her desire to make classical music more accessible and emotionally engaging for new audiences, reflecting on her own transformative experience of discovering it as a child. She speaks with passion about artistry, perseverance, and the expressive power of music to connect deeply with listeners regardless of background or experience.Ana de la Vega performs at the Snow Concert Hall on Saturday 15 November. Tickets for the 2026 season are now available.
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  • Richard Tognetti AO: Making waves
    Under Richard Tognetti’s leadership, the Australian Chamber Orchestra has come to be regarded as one of the world’s finest ensembles. In this wide-ranging and candid conversation, Richard reflects on 35 years at the helm, as well as his international orchestral appearances as director or soloist. Equally at home on the period, modern and electric violins, he has also created dozens of arrangements and compositions, including for several films, and claimed six ARIA Awards.From a Wollongong childhood, Richard traces a journey defined by fierce independence and a passion for blurring musical boundaries - qualities that have shaped the ACO’s distinctive sound. He speaks compellingly of the importance of music education, sharing moving stories of his personal encounters through the ACO’s outreach, and takes pride in the orchestra’s new home at Pier 2/3 in Walsh Bay - a place to share and experience music.Personal and insightful, this conversation illuminates the energy, intellect and uncompromising spirit of one of Australia’s most influential musicians.Richard Tognetti directs the Australian Chamber Orchestra for Cocteau’s Circle around Australia until November 22. Subscriptions for the ACO’s 2026 season are now available.
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  • Steven Kramer: A musician who stops the nation
    A music director, pianist, composer, producer and cabaret performer, Steven Kramer has worked on a diverse array of musicals, from Little Shop of Horrors to Calamity Jane and from Assassins to Rent, winning the Sydney Theatre Award for Best Musical Director for Jekyll & Hyde. He’s played piano with the Sydney Symphony Orchestra and Kate Ceberano, and for productions of The Sound of Music and Frozen. With all that musical theatre experience under his belt, it’s little wonder that he has written his first musical based on the story of Australia’s most famous racing horse – Phar Lap: The Electro-Swing Musical.Steven takes us through the inspiration for the musical and we take a deep dive into what it takes to get a project from idea to the stage. We hear about the key moments of his career, including his collaboration with Courtney Act for the Sydney World Pride concert. He reflects on lessons learned from theatre and cabaret, the importance of creative risk-taking, and why musical theatre should always embrace its sense of fun, heart, and a little absurdity.Phar Lap: The Electro-Swing Musical, with music, book and lyrics by Steven Kramer, plays at The Hayes Theatre until November 22.
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  • Daniel Müller-Schott: View from a cello
    One of the world’s most sought-after cellists, Daniel Müller-Schott performs on all the international concert stages, whether it’s with the New York Philharmonic, the London Symphony Orchestra, or the Gewandhaus Orchestra. He’s worked with the world’s greatest conductors, including Neeme Järvi, Andris Nelsons and Simone Young, and recorded over 30 albums for a diverse array of labels. He also enjoys combining the art of music with the visual arts and literature. In this conversation, Daniel recounts the impact of winning the Tchaikovsky Competition in Moscow at age 15, a milestone that launched his professional career. He speaks warmly of his mentors, including Anne-Sophie Mutter, Steven Isserlis, and Mstislav Rostropovich, who taught him the expressive and human dimensions of music. Beyond the concert stage, we hear about Daniel’s interest in blending classical music with other art forms such as painting, dance, and film. Through his festival in Switzerland, he creates performances that invite audiences to experience music in fresh, multidimensional ways. He also reflects on the bond he shares with his centuries-old cello, his evolving creative process, and the importance of finding inspiration in art, travel, and everyday life.Daniel Müller-Schott performs with the Sydney Symphony Orchestra from 22-25 October, before heading to Adelaide, Melbourne, Hobart and parts of New Zealand throughout November.
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  • Cathy-Di Zhang: A requiem for life
    Award-winning Australian soprano Cathy-Di Zhang has performed extensively with Opera Australia as well as for Victorian Opera and the State Opera of South Australia. She has sung with the Melbourne Symphony Orchestra, the Perth Symphonic Chorus and as a soloist with orchestras and chamber groups throughout Europe and Asia.In this conversation, Cathy-Di reflects on her somewhat unconventional journey to the profession, and opens up about navigating life as an artist. From lockdowns and love stories, to rediscovering her voice back home in Australia, she shares her delight in pushing artistic boundaries through projects like Opera Up Late and The Butterfly Lovers, and her belief that music should always have soul, playfulness, and heart.Cathy-Di Zhang joins the Sydney Philharmonia Choirs for Brahms’s A German Requiem at the Sydney Opera House on Saturday, October 25.
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About In Conversation

In Conversation is brought to you by 2MBS Fine Music Sydney. In each episode, Simon Moore speaks to a figure in our artistic landscape, delving into all the detailed and interesting facets of their life, from the trivial to the profound. Our guest also introduces some musical extracts that are meaningful to them.
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