It's the return of Molly Tuttle! (The first time I interviewed Tuttle was in 2021, when I interviewed her and Katie Pruitt.)Tuttle won the GRAMMY for Best Bluegrass Album in both 2023 and 2024. And you don't become great without rigorous discipline. As you'll hear, Tuttle kept a flip phone as a student at Berklee because she wanted to maintain her focus on music, not a phone screen. Molly Tuttle's latest album is So Long Little Miss Sunshine on Nonesuch Records.
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Scott McCaughey (The Minus 5)
I cannot imagine a world where Scott McCaughey is not writing. But first, some background. He was an auxiliary member of R.E.M. from 1994 to 2011, working with them in the studio and playing with them live. He founded The Baseball Project and The Minus Five, among other bands, both with members of R.E.M. He also founded The Young Fresh Fellows. McCaughey doesn't feel pressure to create every day because he's already doing it. It's a daily part of his routine. Many songwriters book studio time, then write the songs. McCaughey is the opposite: he books the studio time then "grabs songs off the shelf." Was there a hardest song to write on the new album? Nope. "It was my most effortless record," he said. McCaughey suffered a stroke in 2017 and lost all verbal ability for time, but after three days in the ICU he began writing songs. The latest album by The Minus Five is called Oar On, Penelope! on Yep Roc Records.Â
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Dev Hynes (Blood Orange)
Dev Hynes had me at the bookshelves.All those bookshelves behind him on our Zoom interview, rising to the ceiling and stuffed with books. Small wonder, then, that Hynes works best in daily consumption mode rather than creation mode. He's adamant about not writing every day.The creative process is all about keeping it fun for Hynes. He likes to write in the afternoon for the simple reason that he likes his mornings, and who wants to write at night? Hynes isn't big on fancy equipment: he bought his third and fourth guitars only a couple of months ago. "Nothing matters to me as far as equipment," Hynes says. And when he hits a wall in the songwriting process, he doesn't push things too far if it looks like things aren't working. "I won't fold, but I'll see how hollow the wall is," he explains. The new Blood Orange album is called Essex Honey.
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Will Taylor (Flyte)
There's a difference between wanting to write and needing to write. For Will Taylor of Flyte, it's usually a need. Taylor says that he doesn't write every day, but instead writes after an accumulation of experiences. "I know it's time because a sadness comes over me. It's a quite noticeable funk, and the clouds need to break," says Taylor. But for Taylor and his bandmate Nicolas Hill, that need to write doesn't mean inefficiency. As you'll hear, they have little patience for those songs that take too long to finish. "We have no problem throwing songs away immediately if they aren't working. We don't keep them lying around to work on them later."Flyte's latest album is Between You and Me.Â
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Meg Duffy (Hand Habits)
"I write the most when I'm supposed to be doing something else because it tricks me into thinking that songwriting is rebellious," Meg Duffy (aka Hand Habits) told me. "It feels like I get to choose to do it." I love this quote so much. It illustrates how we sometimes have to trick ourselves into being creative. Duffy used the word "summon" a few times in our conversation regarding their songwriting process, which implies actively calling on something to be present rather than passively receiving it. This is the eternal question for the songwriter: do you wait for the muse or try to summon it?Summoning can happen everywhere for Duffy: they even did some summoning during a recent oil change. Duffy also uses walking as a way to summon. In this episode, we dig into all our collective methods of summoning. But stay for the hilarious story of how, when Duffy lived below Kyle Thomas (aka King Tuff), summoning became very, very difficult.The latest album by Hand Habits is Blue Reminder. It's incredible.Â
In-depth interviews with songwriters about their songwriting process. Nothing else. No talk of band drama, band names, or tour stories. Treating songwriters as writers, plain and simple. By Ben Opipari, English Lit Ph.D.