WHAT WENT WRONG

This week, Chris & Lizzie try to unearth the truth behind 2005's War of the Worlds - was it an unmitigated, Cruisian PR disaster? Or was Tom Cruise's bizarre press tour merely a scapegoat? Plus, how Steven Spielberg and company put together a $135M sci-fi epic on a 10 month turn-around, how a couple of B-movie mockbusters beat it to the box office, and yet another concept album throwing a wrench in the works. Hosted on Acast. See acast.com/privacy for more information.

In preparation for Monday's episode on War of the Worlds (2005) Chris and Lizzie explore the history of Scientology, the wave of religious movements in early 20th century Los Angeles, and set the table for Tom Cruise's disastrous publicity tour leading up to the release of the film. Hosted on Acast. See acast.com/privacy for more information.

‘Giant’ may be remembered as James Dean’s final film, but there is so much more to the story. Chris and Lizzie dive into the making of the classic 1956 film, why James Dean and Rock Hudson couldn’t stand each other, and how Elizabeth Taylor found herself caught between the two. Find out how homophobia tore Rock Hudson’s life apart, why director George Stevens constantly fought with James Dean, and how Dean’s untimely death prior to the end of production set the film on a totally different course. Hosted on Acast. See acast.com/privacy for more information.

My Big Fat... Latina Wedding? This week, Chris & Lizzie dive into the magical, seemingly impossible indie-darling that could, My Big Fat Greek Wedding. Learn how Nia Vardalos turned what Hollywood perceived to be her biggest liability (her Greek heritage) into a movie so specifically hilarious, it felt universal. This is the unlikely story of how a one-woman show (and a $500 ad in the LA Times) found Rita Wilson and Tom Hanks in its audience and birthed one of the most successful indie films in the history of Hollywood. Hosted on Acast. See acast.com/privacy for more information.

When Hollywood producers got their hands on Truman Capote’s “Breakfast at Tiffany’s”, they thought they’d found the perfect RomCom. There was just one problem: there was no rom in that com because the narrator was gay. In this episode, Chris and Lizzie break down the Audrey Hepburn classic and discover why she was reluctant to take the part, which actor caused the most trouble on set, and how the cinematographer got electrocuted… at Tiffany’s! Plus we discuss the lasting impact of Mickey Rooney’s troubled performance, and discover why Truman Capote himself wanted to spit on the director. Hosted on Acast. See acast.com/privacy for more information.