Words - The Bee Gees Podcast

• Runaway

  In 1985, Maurice and Robin began working with Carola on an album that would materialise in May 1986, titled 'Runaway'. Released in Sweden, the album has since become a lost part of the Gibb discography, often overlooked or forgotten amidst the surrounding Gibb collaborations of the era with established artists such as Kenny Rogers and Diana Ross. But unlike 'Eaten Alive' or 'Eyes That See In The Dark', it was the twins who took the reigns on this project, and as Stuart and Cristiano discuss, the result is an incredibly poppy and synthetic album, carrying forwards many of the styles from Robin's three 1980s solo albums. Find us on social medias @wordsbeegeespodcast. Email us: [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Walls Have Eyes

  'Walls Have Eyes' is Robin Gibb's fourth studio album, and the third in as many years in the 1980s. Coming so soon after 'Secret Agent', this album does feel like a natural successor to Robin's 1983 and 1984 solo efforts, but with a smooth, clean and refined production. The greater input from Barry with the songwriting and contributions, in comparison to Robin's previous albums, gives this album a strong "Bee Gees" feel, and as Stuart and Cristiano discuss, it could just be the missing album link for the Bee Gees between 'Living Eyes' and 'E.S.P.'Find us on social medias @wordsbeegeespodcast. Email us: [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Eaten Alive

  In 1985, Diana Ross released her sixteenth solo album, 'Eaten Alive'. The next instalment in the run of albums that the Gibbs wrote and produced for their chosen artists, 'Eaten Alive' allowed the Bee Gees the opportunity to pay homage to Motown, delve into mid-80s dance, and produce a set of ballad standards, all fit for Diana Ross. Stuart and Cristiano explore the album and and its development with the available demos, and reflect on its reputation forty years later.Find us on social medias @wordsbeegeespodcast. Email us: [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Now Voyager - Part 2

  From learning lessons in love to escaping the ominous 'hunter', side two of Barry Gibb's 'Now Voyager' proves to be as eclectic as side one, whilst retaining the heart of Bee Gees music, with timeless Gibb love ballads such as 'Stay Alone' and 'One Night (For Lovers)'. Stuart and Cristiano conclude their thoughts on this album and of the film, and share listener thoughts and critical reviews. Vocal split extracts created through LALAL.AI: Vocal Remover & Instrumental AI Splitter | LALAL.AIFind us on social medias @wordsbeegeespodcast. Email us: [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Now Voyager - Part 1

  In 1984, Barry Gibb released his first studio album, 'Now Voyager'. This was accompanied by a film consisting of music videos from the album tracks, all strung together by an abstract and dream-induced narrative. Failing to make a large commercial impact, and possibly curtailing the multi-album deal which Barry had signed, the album and film have become a curio of the time, often overlooked or disregarded like so many Gibb projects of the period. Stuart and Cristiano discuss the story behind the project and its ambitious origins, as well as the songs on side one, and the film and its storyline. It's a mystery that is the universe, ten times the speed of sound. It's Now Voyager. Find us on social medias @wordsbeegeespodcast. Email us: [email protected] Hosted on Acast. See acast.com/privacy for more information.

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