The Slashers

It’s Christmas, and Billy is back. On this episode of The Slashers, we review Silent Night, Deadly Night (2025), the unrated reboot of the infamous holiday slasher, written/directed by Mike P. Nelson and starring Rohan Campbell and Ruby Modine. Released in U.S. theaters on December 12, 2025, via Cineverse. This new entry marks a return to the franchise’s “you better watch out” brutality while adding plenty of new wrinkles.  We break down what works, what doesn’t, and how it stacks up against the 1984 original and the broader Silent Night, Deadly Night legacy, kills, tone, holiday vibes, and whether this reboot earns a spot on your annual Christmas horror rotation.   

Peeping Tom (1960) is the taboo-shattering thriller that dissected voyeurism, exposed the predatory psychology baked into filmmaking, and, ironically, became the accidental blueprint for a whole subgenre of cinematic sexual sadism. In this mini-sode, we break down Michael Powell’s striking color design of saturated reds, icy blues, and uncanny purples; the film’s razor-sharp commentary on directors and audiences as voyeurs; and the enduring irony that Peeping Tom was condemned for the very impulses later slashers celebrated. From its explosive reception to its outsized influence on modern horror, we explore how Peeping Tom warned us about the genre it helped create. A deep dive into color, psychology, and the dangerous thrill of looking.

Our journey through 1987 continues! This time, slicing through Christmas carnage, rural rampages, real estate nightmares, and one of the greatest sequel glow-ups in horror history. ’87 refuses to quit, and neither do we. Silent Night, Deadly Night 2 (1987) Garbage day!  Berzerker (1987) Campground mayhem meets Nordic Buck flower? Slaughterhouse (1987) Ugh Open House (1987) The only thing deadlier than the housing market is… the housing market. Hello Mary Lou: Prom Night II (1987) A fake sequel that outshines its predecessor? We dig into the wild genre swings that make late-’80s horror such a glorious mess. More than trees were trimmed in 1987 when the slaughter continued.

We’re carving into some truly deranged offerings from 1987, because nothing says “family holiday” quite like identity theft, sleazy LA strip joints, Italian arthouse mayhem, and a killer with a taste for cranberry, colored carnage. This feast features: The Stepfather (1987) Body Count (1987) StageFright (1987) Stripped to Kill (1987) Blood Rage (1987) We break down the kills, the chaos, the craft, and the traditional family values behind this year of pure insanity, all while celebrating the most important Thanksgiving tradition of all: cinematic dismemberment. Pull up a chair. Sharpen the carving knife. It’s time for your 1987 Thanksgiving.

The summer of ’86 wasn’t just big hair and bigger explosions; it was a massacre. Slashers were getting weirder, wilder, and way more unhinged. In Part Two, we dive into four films that pushed the genre into neon-soaked absurdity, meta-mayhem, and straight-to-video madness. The Blood Pool: The Texas Chainsaw Massacre 2 – Tobe Hooper’s bonkers sequel blends grindhouse satire, chainsaw duels, and Dennis Hopper in full maniac mode. The Zero Boys – A survival-action-horror hybrid that turns a weekend getaway into a deadly hunt. Evil Laugh – A deep cut, straight-to-video slasher packed with ’80s cheese, masked mayhem, and one unforgettable kitchen-dance montage. Sorority House Massacre – A dream-logic riff on Halloween with psychic visions, campus carnage, and sorority slasher energy. We break down the kills, the craft, the chaos, and hand out awards along the way.