Tsunamis destroy buildings, habitats and danger to everything in its path on land. But how do they affect life under the water? That's what CrowdScience listener Alvyn wants to know, and presenter Anand Jagatia is searching beneath the waves for answers. Anand meets Professor Syamsidik who is learning about how tsuanami waves are formed to help protect against future disasters. He runs the Tsunami and Disaster Mitigation Research Center at Universitas Syiah Kuala, Indonesia. With him at this state-of-the-art lab is Dr David McGovern, expert in ocean and coastal modelling at London South Bank University. David tells Anand how the energy of a tsunami is spread across the entire water column. To explain the forces at play, Anand chats to Professor Emile Okal a seismologist from Northwestern University in the United States. Tsunami wave can move as fast as 800 kilometres an hour but, despite this, out at sea you might not notice it - but can the same be said for marine life? We follow the wave as it nears land and all that force is contracted and begins to show its might. Professor Suchana 'Apple' Chavanich from Chulalongkorn University, Thailand was one of the first people to swim off the Thai coast after the 2004 tsunami and remembers how coral reefs were battered.
In Japan, after the 2011 Tohoku Earthquake and Tsunami as the water retracted it pulled with it tons and tons of debris into the water. The fishing communities of the Sanriku Coast lost almost everything, their equipment was destroyed and the water was heavily polluted. Anand meets Hiroshi Sato who set up the Sanriku Volunteer Divers, a team of people who dragged the debris out of the water. One of them was diver and journalist Bonnie Waycott who tells her story of witnesses the destruction first hand and trying to rescue the fishing industry with Hiroshi. Finally, we learnt that the effect of modern tsunamis carries far further than people might have imagined. On the west coast of the United States Professor Samuel Chan is an expert in invasive species at Oregon State University. He explains how modern infrastructure is contributing to some incredible migrations. Presenter: Anand Jagatia Producer: Tom Bonnett Editor: Ben MotleyPhoto: USA, California, Sonoma County, Bodega Bay, tsunami evacuation panel - stock photo Credit: Brigitte MERLE via Getty Images)
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Are near-death experiences real?
In your final moments, they say, you may walk down a tunnel of light. You might rise above your body, watching the scene below before passing into another world. Perhaps you’ll be met by glowing figures, see your life flash before your eyes, or feel a deep, unearthly calm. These are the stories of people who’ve reached the edge of death and returned. They’re not rare, nor random, and they have a name: near-death experiences. CrowdScience listener Steven in Chile first heard of them during a CPR class and wondered, are they fictitious? Psychologist Susan Blackmore once had an out-of-body experience as a student in Oxford, UK — floating above herself before soaring over the rooftops and dissolving into the universe. That single moment changed everything. She’s spent her career trying to understand what happened, and she believes such experiences are explainable. At the University of Michigan in the US, neuroscientist Professor Jimo Borjigin has done what few have dared: record the dying brain in action. Her studies show that even after the heart stops, the brain can produce powerful surges of coordinated activity, bursts that might explain the lights, the tunnels, and the sense of peace. She believes near-death experiences could become one of science’s most intriguing scientific frontiers for research into consciousness. At University College London in the UK, neuroscientist Dr Christopher Timmermann is exploring similar states using psychedelics, pushing the boundaries between self and oblivion to identify what induces a near-death experience and what we can learn about our consciousness along the way. Near death experiences, a paranormal mystery or explainable phenomenon? Presenter: Caroline Steel
Producer: Harrison Lewis
Editor: Ben Motley(Photo: Gap in the wall - stock photo Credit: peterschreiber.media via Getty Images)
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Why do people love horror films?
For some they’re the stuff of nightmares, but many of us can’t get enough of horror films. For Halloween, CrowdScience investigates the science of why we enjoy films that scare the living daylights out of us. CrowdScience listener Maria from Taiwan is one of those people who would rather avoid frightening films, yet her husband loves them and is always trying to get her to watch with him. She wants to know why people like her husband are so drawn to horror films. To try and find out, presenter Anand Jagatia travels to the Recreational Fear Lab in Aarhus, Denmark, which is dedicated to understanding why people frighten themselves for fun. He meets the research lab’s directors Mathias Clasen and Marc Andersen who explain how horror and recreational fear could help us cope better with uncertainty, bond with those we are frightened beside, and perhaps even have some physical health benefits. They also take Anand to a haunted house, called Dystopia, which has used the Recreational Fear Lab’s research to become as terrifying as possible. And we hear from horror film music composer, Mark Korven, who creates tension and fear using an invention he calls ‘the apprehension engine’. He speaks to BBC Naturebang’s Becky Ripley who has been investigating sounds that scare us and their evolutionary origins. Presenter: Anand Jagatia
Producer: Jonathan Blackwell (Photo: Couple watch horror movie with blanket to cover their heads. Credit: WC.GI via Getty Images)
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Should we help maggots and caterpillars?
We all know insects are important, but one CrowdScience listener worries that they don’t seem to have equal billing when it comes to human love and attention. In Scotland’s capital Edinburgh, listener Ruth loves to sit and listen to the birds, the bees and the hoverflies as they go about their daily chores. And it’s got her wondering why bees and butterflies seem to get all the conservation efforts. What do we need to do to protect butterflies as less beautiful caterpillars, and ladybirds as less glamorous larvae? Are people even aware that insects exist in multiple stages of a lifecycle, and that around the world, insect populations are facing perilous levels of decline. Presenter Alex Lathbridge is on a mission to identify the other unsung insect heroes. Along the way we meet Dr Caitlin Johnstone and Dr Nick Balfour at the Royal Botanic Gardens Edinburgh, who help listener Ruth find out about the lifestyles and lifecycles of hoverflies. We meet the midge that pollinates cocoa crops in Ghana, as well as Dr Tonya Lander from Oxford University and Dr Acheampong Atta-Boateng from the University of Arizona who have been studying them. And Marc Vaez-Olivera from the company Polyfly introduces us to the billions of hoverflies helping to double avocado yields in Spain. We also learn what we can all do to help keep insects in our gardens… even if that may involve sacrificing a cabbage or two. Presenter: Alex Lathbridge Producer: Marnie Chesterton Editor: Ben Motley(Photo: Caterpillar eating flowering plant with pink background - stock photo Credit: Raquel Lomas via Getty Images)
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Can we record our senses?
How would you record a special moment? Maybe you could take a photograph, film a little video, or record some audio. We have lots of ways of recording what life LOOKS and SOUNDS like, but is the same true for the other senses? What if you wanted to record the smells that greet you on entering your favourite restaurant? Or record the way your loved ones hand feels in yours? These are the questions on the mind of listener Aravind, from California in the USA. He wants to know if there are any ways of recording and reproducing sensory experiences like taste and smell, or physical touch. Anand Jagatia is on the case, and is smelling, tasting, and quite literally FEELING his way to the answer. From a multi-sensory movie experience in Valencia, Spain, to the fascinating history of the pioneers of ‘scented cinema’, through to the ground-breaking “haptic technology” which is enhancing the capabilities of our sense of touch. Both for us, and for the robots which do the jobs we don’t want to. Presenter: Anand Jagatia Producer: Emily Knight Editor: Ben Motley(Photo: Woman making ASMR sounds with microphone and perfume on yellow background, closeup - stock photo. Credit: Liudmila Chernetska via Getty Images)
Australia