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Piano, finally

David Reidy
Piano, finally
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  • Episode 55 - Play Like No One Is Listening
    🎙 Episode 55 – Play Like No One Is ListeningG’day and welcome back to Piano, Finally, where an old bloke keeps learning the piano, one step (and one podcast) at a time.This week’s script was written in the foyer of Carriageworks ahead of Aphrodite, a world premiere chamber opera by Nico Muhly. The venue, with its industrial charm and bold programming, is perfect for discovering new voices—and maybe a future Taylor Swift. More on the opera at the end of the episode.🎭 Aphrodite at Carriageworks🎸 Friday’s school carnival featured the annual Battle of the Bands—loud, fun, and featuring some talented Year 8 students. I only caught one band in between dunk tank duties, but it was great to see so many students skipping the rides and cheering on their friends.🎧 This episode sounds a little different again—thanks to a second Rode NT1 mic that lets me speak and play at the same time. We’ll see how it goes.📺 YouTube Spotlight – Zarty – MusicDiscovered via algorithm magic, Zarty’s video “STOP PLEASE 21 Classical Accompaniments that are not Alberti Bass” was a revelation. Zarty breaks down alternatives to the classic Alberti pattern, showing each one in isolation and in Mozart context. His clear explanations and clean presentation make it easy to understand how accompaniment shapes the feel of a piece. Highly recommended for anyone struggling with left-hand patterns (like me on a bad day).📝 Essay – Play Like No One Is ListeningInspired by that old quote about dancing, I reflect this week on playing the piano as if no one is listening—even when they are. As hobbyist pianists, we’re lucky. No exams, no assessments, just the joy of learning and sharing music. Whether it's sneaking in a few bars during a music class cover or trying out the school grand piano after hours, I’ve learned that playing publicly—even informally—can be liberating and fun when there’s no pressure. Don’t wait for perfection. Share the music.🎹 Nord Stage 4 Review – The OrgansWe continue our Nord Stage 4 deep dive with the organ section. With two independent organs, full drawbar control, and models like the Hammond B3, Vox Continental, Farfisa, and two pipe organs, there’s plenty to explore. You can blend layers, apply vibrato and chorus, and even use pitch bend and sustain creatively. Nord Stage 4 Overview🎼 Progress & Piano TalkThis week’s practice includes four pieces I’ve been maintaining, now played using a new virtual instrument—Claire by Native Instruments, sampling the legendary Fazioli f308. It’s not the $400k real thing, but it’s close enough through headphones. Claire BundleUntil next week, play like no one is listSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 54 - Under Pressure
    🎙 Episode 54 – Under PressureWelcome to Episode 54 of Piano, Finally, the podcast of one old bloke making his way—note by note—through learning the piano.It’s been a big week at school with the Creative and Performing Arts Showcase on Wednesday and a packed end-of-term schedule coming up, featuring the walkathon, carnival, and Battle of the Bands (yes, I’ll be in the dunk tank again). The week also brought a tech upgrade with a new Mackie Big Knob Studio+ audio interface—so if the show sounds a bit different, that’s why. A review of it is on the way.🎧 Video Feature – Best Piano VSTs of 2025This week’s recommended video comes from Stu Harrison at Merriam Music, who reviews five top-tier piano VSTs: Keyscape, CFX Garritan, Addictive Keys, Pianoteq 8, and Claire. If you’re building out a virtual piano rig or just want to know what’s new, this is a thorough and insightful look. I’ve even added one of them to my own setup—hint: Mi piacciono i pianoforti italiani.📝 Essay – Under PressureThe Showcase performances sparked a reflection on pressure in music. While student performers juggle nerves, grading systems, and the looming ATAR, adult learners like me have the luxury of learning purely for enjoyment. No exams, no deadlines, just curiosity and flexibility. That freedom—especially to take detours like learning synthesis and adding stage keyboards—has been a huge part of the fun. I’m still debating whether to join the September recital, but if I do, I’ll choose something that keeps it enjoyable rather than stressful.🎹 Gear Review – The Nord Stage 4 PianosWe start a new review series on the Nord Stage 4 by looking at its piano section. Unlike traditional keyboards, the NS4 includes both modelled and sampled pianos (the latter via the synth engine). With limited memory, you have to choose your sounds carefully—but Nord makes it easy to load and swap models. I explore the grand, upright, electric, clavinet, and digital categories, including gems like the Velvet Grand, Amber Upright, and even a DX7. The Nord Sound Library offers many more. If you’re interested in purchasing the Stage 4 locally, here’s a link to Turramurra Music.A standout feature? Layering. Up to seven sounds can be blended—say, an acoustic and electric piano—to create rich textures like those used by Elton John. Add in dynamic compensation, touch adjustments, and even pitch bending, and you’ve got a remarkably flexible performance tool.🎼 ProgressThis week’s practice focused on tricky passages from two pieces: Der Vogelfänger bin ich ja (Mozart) and Wild Chase(Wynn-Anne Rossi). Recorded using the Kawai NV10 and Pianoteq 8 with the New York Steinway D in Classical mode.Send me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 53 - A Community
    Episode 53 – A CommunityG’day and welcome to Episode 53 of Piano, finally, the podcast of a bloke getting around to learning the piano… finally.This week finds me writing from the foyer of the Joan Sutherland Performing Arts Centre in Penrith, not the Opera House this time. I was waiting for Shake & Stir’s touring production of 1984, and I have to say, it was an impressive adaptation—just five actors and some clever use of video screens. Highly recommended if it’s heading your way:👉 Tour info👉 The Joan🎹 YouTube Recommendation: My Keys To MusicIf Nord keyboards are your thing—or you want them to be—Marc Larochelle’s channel My Keys To Music is a goldmine. Whether he’s breaking down sound design, comparing Nord models, or just playing the Doctor Who theme from an overhead angle, it’s all very watchable and informative. He even explores AI tools for separating tracks into stems—something I plan to try during the holidays.Courses, deeper dives, and downloadable patches are all on his website, and there’s bonus material via his Patreon. Just don’t sign up via the iOS app—Apple takes a cut. Use the web version instead.🎥 My Keys To Music on YouTube🎶 Essay: A CommunityMy performance of Someone Like You isn’t happening after all, but another chance looms—a recital at the end of Term 3. I’m undecided. Is performing worthwhile? Definitely. Music communicates, and someone needs to do the performing. Whether you’re a pro with the Sydney Symphony or a volunteer in a Christmas variety show, performance builds community between players and listeners. Maybe that’s reason enough.🎛️ Gear Talk: Nord Stage 4 – OverviewI’ve finally got my hands on the Nord Stage 4 (88-key version), and this review will be spread over a few episodes. This keyboard is a beast—three instrument sections (organ, piano, synth), full effects, layering, aftertouch, triple sensors, 512-program capacity, and serious versatility. It’s 130cm long and nearly 20kg, so more “transportable” than portable, but you’d only need this one keyboard for most gigs.🛒 Nord Stage 4 official page🛍️ Turramurra Music – AU retailer🛒 Sweetwater – US retailer🎭 Coming Up: The Creative and Performing Arts Showcase is on Wednesday, and I’m looking forward to being impressed by our young artists.🎵 Progress update: Still aiming for September recital readiness. Current contenders include:Fritz Spinder – CanonDaniel Gottlob Türk – BagatelleAndrew Cragg – Afternoon Snooze, Blackout BluesThese were recorded using the Kawai NV10 and Pianoteq 8 with the New York Steinway D model.Until next time—may your piano stay in tune and yoSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 52 - A Dangerous Business
    🎙 Episode 52 – A Dangerous BusinessG’day, and welcome back to Piano, Finally—a podcast from an old bloke finally learning the piano. This week’s episode was written once again from the busy foyer of the Sydney Opera House—where Vivid’s light show and some eye-watering appetiser prices ($825!) set the scene before another performance by Sir Stephen Hough.We begin with an update from the Cliburn piano competition, streaming live on YouTube. All six finalists are men—curious, but I’m just glad to have a favourite from the earlier Gina Bachauer comp in the running. (Note to competition organisers: please consider school holidays next time!)🎹 This week’s featured channel is DSoundman—a.k.a. Douglas: songwriter, studio producer, and worship leader. His content dives deep into keyboard reviews, tutorials, and creative sound design. Whether you’re new to Nord and Roland boards or just curious about what modern stage pianos can do, his videos are a treasure trove. He also sells courses and preset packs for those looking to level up.In the essay, A Dangerous Business, we reflect on just how far the piano journey can carry you. What started with a single Roland piano has spiralled into digital grand actions, YouTube rabbit holes, sound design adventures, and reflections on music education. We tip our hat to David Bennett Piano, Elton John, and Billy Joel—and we explore why learning classical first still makes sense, even if you’re aiming for Pink Floyd.Classical training builds the foundation—but pop music’s chord progressions are opening new doors. The goal is to blend both worlds, and it turns out the scenic route—via detours and diversions—makes for a much better trip.🎛 To that end, we review Syntorial by Audible Genius—a powerful course that teaches synthesis through ear training rather than theory. With 199 lessons, a built-in synth, and a free trial of the first 22 lessons, it’s a brilliant way to learn what all those knobs and sliders actually do. It’s already helping improve listening skills and synth programming—and it’s surprisingly fun.🎶 In progress news: the debating season’s over, practice is back on track (even if Wednesday went mysteriously off the rails), and a few “once-a-session” pieces made it to the mic—Spindler’s Canon, Türk’s Bagatelle in F, and Cragg’s Afternoon Snooze and Blackout Blues. Recorded on the Kawai NV10 with Pianoteq’s New York Steinway Model D, they’re a nod to the Cliburn competition’s piano of choice.As always, get in touch at [email protected] or via pianofinally.show.Until next time,Send me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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  • Episode 51 - Once a Day
    Welcome to Episode 51 of Piano, Finally! This week, I talk about how my piano practice was affected by long work days, debating competitions, and the occasional musical side quest — like programming the Nord Stage 4 to sound like the iconic synth from Van Halen’s Jump. (You’ll hear my first attempt in the progress section.)In the spirit of broadening musical horizons, this episode’s recommendation is the Early Music Sources channel, run by Elam Rotem. It’s a beautifully produced, deeply researched dive into the music of the 16th and 17th centuries — ideal if you're curious about how music evolved into what we hear today.👉 Explore Early Music Sources👉 Hear recordings by Elam RotemThe essay this week is all about practice: how I’ve been organising mine, how it’s evolved, and why I’ve started playing each of my “ready” pieces just once a day. This one-take approach (also used for the progress recordings at the end of each episode) mirrors performance pressure — one shot, no do-overs. It makes for more mindful playing, even if the occasional mistake sneaks through. I break down how I categorise pieces (can’t play yet, sort of can, and performance-ready), and what my thirty-minute sessions tend to look like — or what gets skipped when time runs out.The episode also includes a review of the Blue Mountains Musical Society’s production of Come From Away. The show is brilliantly cast, creatively staged, and a local production that holds its own against Broadway. And at $49 a ticket, it’s a bargain.👉 Blue Mountains Musical Society – Book ticketsIn the progress section: Mozart’s Der Vogelfänger bin ich ja, Wynn-Anne Rossi’s Wild Chase, and a first attempt at Van Halen’s Jump, patched together on the Nord Stage 4. The acoustic pieces were recorded using the Kawai NV10 with Pianoteq 8 on the M4 Pro Mac Mini, running the Anton Petrov Grand in Recording Mode 2.Thanks again for listening. If you’re working on an instrument of your own, I’d love to hear how it’s going — send a note to [email protected] or visit the website at👉 www.pianofinally.showSend me a text message.You can contact me: via email at [email protected]; this is probably the best option the show website, www.pianofinally.show Instagram and Threads @pianofinally and on YouTube all the podcast directories - list here's the RSS feed Some of the links to books and other items mentioned in the podcast are affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link. All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.
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About Piano, finally

Piano Finally is a podcast by an old bloke who is learning the piano, finally. I cover the process of learning the piano and music theory as an adult learner. I also review piano books, hardware and other materials from an adult learner's perspective.
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