To write about art is really to write about looking. About how artists meet the world: what they notice; what slips through; what remains.In What Artists See, Quentin Sprague turns to twelve Australian artists, but Sprague doesn't just list their works, he lingers with how they see: what pulls at their attention and what do they uncover when the world pushes back?Speaking with Micheal Do, Quentin interrogates: when we look at art, what are we really seeing?
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Lisa Reihana brings truth to history
Two hundred years ago, a French wallpaper pictured the Pacific: the islands and empire in perfect harmony against windless calm seas. But it was decoration. Pure fantasy.Until artist Lisa Reihana made history flicker — adding ceremony, desire, misunderstanding, and violence.Her vast video work In Pursuit of Venus [infected] premiered in Auckland, then at the New Zealand Pavilion at the 2017 Venice Biennale. She took a 19th-century French wallpaper, once exotic decor, and transformed it into a living panorama.Reihana talks about what came after that breakthrough and about her latest pieces, at the Sydney Contemporary and Ngununggula.
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Nusra Latif Qureshi's House of Irredeemable Objects
Nusra Latif Qureshi has built a career extending South Asian painting traditions while pressing on empire, displacement, and desire — revealing how power cloaks itself in colour, and how history leaves its mark on objects.The House of Irredeemable Objects at MUMA brings together thirty years of Nusra Latif Qureshi’s work — an examination of tradition, history, and the everyday — alongside a new commission which draws on Monash University's rare books collection. Qureshi explores how objects can carry something larger than themselves — a trace, a wound, or a memory — and reminds us that beauty and violence often walk side by side.
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The Art Show
Great conversations with visual artists, gallery and museum directors and curators.
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Sophie Cape's wild landscapes take out top prize
Some paintings are sealed off from the world: neat, polished, contained.But Sophie Cape's canvases feel porous, weathered by the elements themselves. Not so much painted, as unearthed.Once an elite athlete, Sophie turned to art after devastating injuries.It's a path that has brought her attention and acclaim, including winning this year's Hadley's Art prize, Australia's richest prize for landscape painting.
Visual artists tell you why and how they create! From studio visits, intimate interviews, and live issues, we take art out of the gallery and into your ears.
Australia