We Interrupt This Broadcast

In this episode, Loani Arman speaks with Katrina Irawati Graham, co-director of the Stan series Bali 2002, about cultural safety in the screen industry - what it looks like in practice, and who is safe.
They explore how cultural safety is shaped by systems of racism and power embedded in screen production, why racial literacy is necessary to recognise harm, and how harm is dangerously normalised in everyday industry practice.
They also examine what it would take to move towards genuine cultural safety as a human right for all, grounded in collective responsibility, accountability, and care across the screen production pipeline.

Listen to hear Katrina discuss:
Cultural safety as a human right
The impact of cultural safety on productions
Why racial literacy is important
Why cultural safety is a shared responsibility, and what you can do
Implementing Cultural Safety Plans

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Further information after listening to the episode:
Dear White Screen Industry: https://www.screenhub.com.au/news/opinions-analysis/dear-white-screen-industry-261832-1429042/
Birthing and Justice with Dr Ruth De Souza: https://www.ruthdesouza.com/podcast/
Deb Verhoeven’s Australian film industry producer networks diagram https://debverhoeven.com/women-arent-the-problem-in-the-film-industry-men-are
Suara Indonesia Dance: https://suara.dance
Diversity in Australian Media Facebook group: https://www.facebook.com/share/g/14c8LNNKYXU/

Follow Katrina and her work:
Katrina on LinkedIn: https://www.linkedin.com/in/katrina-irawati-graham-2299122/
Katrina’s Biography: https://www.bmegonline.com/screenwriters/katrina-iriwati-graham
Watch Bali 2002 on Stan https://www.stan.com.au/watch/bali-2002

This Deep Dive interview is hosted and edited by Loani Arman.
If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Robbie chats to Karina Libbey, screen culture specialist and festival director of the Capital Film Festival about what festival curation and audience engagement looks like from a programmer's perspective.
They discuss what filmmakers may not know about how to engage with festivals, how a festival entry should read like a resume for your film, and the more you know about your audience the easier it is to program and market your film.

Listen to hear Karina discuss:
Audience-first programming as a guiding philosophy
Defining, building, and challenging a festival audience
Programming as curation, not just selection
The role of trust in shaping audience behaviour
Why great films don’t always make the program
Why filmmakers must know who their film is for (and who it isn’t for)
The unique power of shared cinema experiences

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Follow Karina and her work: https://www.karinalibbey.com.au

This Deep Dive interview is hosted and edited by Robbie Miles.

If you’re enjoying the podcast, please leave a rating or review, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

In this episode, Kirsty chats to David Court, founder of Compton School, about how to right-size your screen business in the current Australian production landscape.
They discuss why it’s important to take a step back and consider the way your business is structured, and the advantages and disadvantages of ‘going big’ vs. ‘going small.’

Listen to hear David discuss:
Industry shifts, and where we currently sit in the market cycle
Guiding principles for producers when considering the size of your company
Small vs. large business models
Creating engagement in the marketplace
The importance of momentum in getting your projects financed
Financing challenges in the industry
Exploring the value of your intellectual property
The need for private capital in production

Listen to Episode 51 on Spotify, YouTube or Apple Podcasts.

If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.
Follow David and his work:
Compton School: https://compton.school
David on LinkedIn: https://www.linkedin.com/in/david-court-058965/
Episode 23 of We Interrupt This Broadcast: Mentoring Can Change the Shape of our Industry, with David Court and Julie Eckersley: https://www.weinterruptthisbroadcast.com.au/episodes?grid1-dialog=recGSZhWj4oxIhvrZ

This Deep Dive interview is hosted and edited by Kirsty Stark.
If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!
Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠

We’re already at the end of March, and there’s lots to talk about this month!
Robbie Miles and Loani Arman round up all of your Australian - and global! - screen industry news, from actors being resurrected with AI, to legal cases around credits and authorship, to Australian success stories at the Oscars, AIDC, Tropfest and more.
Plus: all of your March screen industry news, opportunities and opinions from around the country...
Subscribe and get every episode of We Interrupt This Broadcast in your inbox.
⁠Subscribe now

00:00 What we’ve been up to this month
01:32 Vale Rhoda Roberts
01:58 Val Kilmer resurrected in AI (article)
02:20 The importance of credits in film
02:47 Audience trust and AI in storytelling
04:26 The future of acting and AI (article)
08:12 The impact of industry consolidation
09:54 Celebrating Australian filmmakers
10:50 Industry movements and appointments
13:12 Grants and opportunities
15:43 What have we been watching?
17:29 What’s in production around the country
22:12 Wrap-up & what’s coming up this month

If you enjoyed this episode, please leave us a review on Apple or give us 5 stars on Spotify to help us spread the word.
This episode of We Interrupt This Broadcast was hosted by Robbie Miles and Loani Arman.
Join the conversation about Episode 50 on ⁠⁠Instagram⁠⁠ and ⁠⁠LinkedIn⁠⁠, or submit your own Big Idea to shape the industry at ⁠⁠http://weinterruptthisbroadcast.com.au⁠⁠.

Have industry news, upcoming events or productions to share? Want to sponsor the podcast? Let us know at [email protected]

In this episode, Aven chats to Pauline Chan, an award-winning director, writer, and producer with a storied career spanning art-house cinema and international productions, featuring talent such as Jackie Chan, Nicole Kidman and Cate Blanchett.
She famously made history by mounting the first two Australia-China official treaty co-productions, and over the past two years has been actively producing vertical series with titles including Divorced to be the Top Heiress for ShortMax and Alpha King, Your Pregnant Luna Escaped for NetShort.
Aven and Pauline discuss the business model and production structure Pauline uses on these series, how they fit into her production company’s overall remit, and the ways they might be filling a gap in talent development, providing opportunities for emerging crew.

Listen to hear Pauline discuss:
How much audiences are paying to subscribe to a microdrama
Why the market for microdramas can be lucrative compared to film or television
The structure Pauline’s team puts in place for production and post, to make lower budgets work on their vertical series
How vertical series can support emerging talent
Why it makes sense to produce microdramas in Australia
Building cliffhangers into each 1-3 minute episode
The difference between producing microdramas and working in production servicing
Pauline’s Big Idea to shape the future of the industry

Listen to Episode 49 on Spotify, YouTube or Apple Podcasts.
If you enjoyed this episode, please subscribe & leave a rating or review to help us reach more listeners for We Interrupt This Broadcast.

Follow Pauline and her work:
Pauline on LinkedIn: https://www.linkedin.com/in/pauline-chan-b041b540
Pauline on IMDb: https://www.imdb.com/name/nm1298625
Roaring Pictures: https://roaringpictures.com.au
Roaring Pictures Productions: https://roaringpictures.com.au/#productions

This Deep Dive interview is hosted by Aven Yap and edited by Aven and Kirsty Stark.
If you’re enjoying the podcast, please leave a rating on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠, and we’d love you to forward this episode to a friend!

Follow us on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠, YouTube or LinkedIn.
Don’t forget to subscribe & get weekly episodes in your inbox.