Prestige Junkie

Variety's Clayton Davis joins Katey and Chris Rosen to look at a wide range of indie contenders in this year's Oscar race, from Mike Leigh's intimate final film to the billion-dollar Michael Jackson biopic. Then Chris talks to Jake Johnson about his latest collaboration with director Joe Swanberg, The Sun Never Sets, and why he's not actually addicted to work, even if it looks that way.

00:00 Intro

02:13 Fall Preview Finale With Clayton Davis

02:54 Is 'The Odyssey' Still The Frontrunner?

04:43 Anne Hathaway: Lead Or Supporting?

06:31 'Michael' And The Billion-Dollar Biopic

12:39 Lionsgate And 'Sunrise On The Reaping'

13:44 Mubi's Crowded Slate

16:49 The Year Of Sandra Huller

19:59 'Coward' And The December Problem

22:47 Bleecker Street Bets On Mike Leigh

28:18 Bleecker Street Tiff Premieres

29:52 The Four-Hour Elon Musk Doc

30:42 Why Studios Fear Venice

33:23 Telluride's Secret World Premiere

34:26 Magnolia And Olivia Wilde's Big Year

35:48 'Josephine' And A Brand-New Distributor

40:48 Next: Jake Johnson

42:14 Jake Johnson Summer

43:51 Letting Go Of Control

47:17 Rediscovering The Joy Of Acting

49:11 Reuniting With Joe Swanberg

55:08 No Saving You In Post

58:49 Playing Guys He Doesn't Like

01:01:47 Weaponizing Audience Expectations

01:03:40 A Gene Hackman North Star

01:05:09 Sunset Pi And The Columbo Pitch

01:07:50 Considering Awards

01:12:22 Mary Steenburgen And The Dink

01:14:54 Indie Movies Aren't Punk Rock Anymore

01:18:15 Shooting In A Working Restaurant

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Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

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Katey and Chris Rosen are joined by Tyler Coates to look at what's ahead for A24 and Neon this Oscar season, including a slew of Cannes hits and a practically guaranteed best actress frontrunner. Then Katey talks to Noah Wyle, who is nominated for three Emmys for his work on The Pitt and says he relishes having what might feel like way too many jobs for anyone else.

00:00 Intro

01:16 Neon Vs. A24: Fall Preview

03:00 Who's Having The Better Year?

05:09 The Drama And Zendaya's Shot

08:17 The Invite: Olivia Wilde's Play

11:45 Banderas And 'Tony'

13:12 A24's Fall Slate: The Debut

16:01 A24's Misty Green

19:59 Primetime And The Venice Factor

22:38 Can Pattinson Win Best Actor?

28:26 Club Kid's Crowd-Pleaser Ceiling

31:34 Neon's Cannes Pile-Up

32:47 Paper Tiger And James Gray

36:08 Fjord: The Palme Winner

41:16 Artificial: The Movie Nobody Wanted

44:33 Heading To Tiff!

45:12 Next: Noah Wyle

46:45 The Pitt Cast Family Reunion

48:13 A Young Ensemble

50:03 Wearing Many Hats

51:29 Acting As A Vacation

54:30 How He Fell Into Directing

56:33 Directing While Playing The Lead

59:21 What Changed In Season Two

01:01:19 Hunters Vs. Gatherers

01:03:34 The Hardest Show To Write

01:05:27 Why 48 Minutes Is The Rule

01:09:01 The Helmet Decision

01:10:52 Emmy Snubs And Unsung Heroes

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The Emmy-nominated actress joins Katey to talk about the journey to getting the FX limited series Love Story just right, which included a lot of hair experiments as well as focusing small details to recreate a woman who was so deeply misunderstood during her life.

00:00 Intro

02:02 Hair Is Everything: Becoming Carolyn

04:21 Broadway Vs Tv

06:25 What It's Like On Set

08:52 Smoking And Fake Smoking

10:12 Advocating For Takes

12:51 Finding Carolyn With The Team

15:45 Shaping The Character

20:27 Imagining Vs Recreating History

23:39 Why Carolyn Still Captivates Us

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Katey talks to the star and co-creator of The Comeback about how she and Michael Patrick King decided to bring back Valerie Cherish and put her up against the thing Hollywood fears most: a TV show written entirely by AI.

00:00 Intro

00:00 Coming Up...

01:31 Racing Ai To Finish The Show

04:37 The Pressure Of Ending A Trilogy

06:56 Balancing Valerie And The Ensemble

08:46 Why Valerie Rejects Humiliation

10:38 Valerie At Sixty

13:15 Is Hollywood Facing Extinction?

15:13 The Value Of Human Storytelling

17:52 Making Peace With Cancellation

19:58 Is This Really The End?

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Kyle Buchanan joins Katey and Chris Rosen to look at what the major streamers have in store for this year's Oscar race, how Amazon MGM is equipped to push a major contender like Project Hail Mary, and why Kyle has been so high on Netfilx's La Bola Negra ever since its Cannes premiere. Then Katey talks to David Harbour about the years he spent trying to get DTF: St. Louis into production, what he learned about the business in the process, and how it felt to dance in his underwear in front of the same Atlanta crew that had seen him fight creatures as the heroic Hopper on Stranger Things.

00:00 Intro

00:19 Coming Up...

02:07 Can Streamers Compete This Year?

03:49 Apple's Thin Two-Film Slate

06:56 Why Best Actress Is Wide Open

09:45 The Ingenue Pendulum Swings Back

12:58 Tenzing And Genden Phuntsok

14:26 Digger Skips Venice

16:10 Project Hail Mary Vs. Dune 3

19:19 Is Anything Stopping The Odyssey?

24:55 Lord And Miller's Director Shot

25:29 Sandra HÜLler's Shot

26:28 Anne Hathaway: Lead Or Supporting?

27:15 Amazon's 'Dudes Rock' Slate

30:13 What A Tiff Premiere Really Means

32:11 Verity And Anne Hathaway's Year

34:19 Netflix And La Bola Negra

36:47 Was Roma Really Divisive?

39:20 Penelope Cruz's Second Oscar?

42:10 Netflix's Number Two Priority

44:20 The Cliff Booth Question Mark

47:10 Possible Love And A Thin Venice

50:45 Next: David Harbour

51:53 The Origin Of Dtf St. Louis

53:30 Making Tv He Actually Wants To Watch

56:24 The Sweetness Beneath The Sadness

58:47 Avoiding The Flyover State Trap

01:02:07 Lessons From First-Time Producing

01:04:47 The Argument He Lost With Steve Conrad

01:07:48 Walking The Tonal Tightrope

01:11:26 Is Dtf Actually Heartwarming?

01:12:40 The Male Loneliness Epidemic

01:13:57 What Harbour Is Building Next

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