Live On 4 Legs: Pearl Jam Podcast

We have made it to the 2010's of Pearl Jam's long historic touring career, and this is the decade where they solidify their place in history as one of the greatest live bands on the planet. Nearly every show from this tour run came through with an electric intensity and positive spirits as songs of new, old and the rare variety were heavily utilized to make their shows feel unique. This show from Cleveland has all of that thrown in and exemplifies what it was like to witness this band 16 years ago.

The best that can be said about this Cleveland show is that it was just flat out fun. The way that the band blazed through their set with a perfect structure of songs with a smooth transition from one to the next made this show an easy listen. They were still putting forth a lot of the Backspacer material, but this show has a really good mix of fan favorite cuts such as Wash, Hail, Hail, In Hiding, Immortality, Sleight Of Hand, Leash and Smile. We'll talk about how good the songs sound, plus digging into how happy the band seemed to be performing at the time.

Check out this episode to hear the best of this Cleveland show, and allow Javi to show you where all of the emergency exits are.

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This episode keeps the Chronology Series train moving while also digging into current events surrounding the world of Pearl Jam. 2009 was a fresh year for the band. It was a renewed start as they brought back long time producer Brendan O'Brien into the studio to produce their 9th album, Backspacer. It was a more positive outlook for a band that spent the last three records exhausting frustration over war and other tragic moments, and that outlook was presented as such on stage. While we cover a hometown San Diego show for this episode, you can't talk 2009 without mentioning the impact that the final shows from The Spectrum had on this fanbase.

This episode is a culmination of weeks of Javi dreading his least favorite era of Pearl Jam live. However, we put a challenge to the test to see if he could make it through the entire show without being irritated by the sonic staleness of the guitars from this tour, and you'll have to tune in to see how well he acquitted himself. It helps that this is a hometown show with some great stories that more than make up for the sounds not being up to par. We get to see music instructors of Ed and Matt join stage for Little Wing, and an outstanding cover of So You Want To Be A Rock 'n' Roll Star where Ed shares a fun story about his time trying to play music in San Diego.

Oh, and I suppose it needs to be mentioned here that we have a show announcement! We'll react to the lineup announcement at Ohana and the questions that still remain after knowing that Pearl Jam will headline the third night.

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Pearl Jam's 2008 tour was a short, but memorable run in between album releases that took them along the entirety of the U.S. East Coast. After shows at Bonnaroo, Madison Square Garden and Mansfield among many more, they finished the run by playing a benefit show at the famed Beacon Theater in New York City. The band helped raise $3 million for the Robin Hood Foundation to fight poverty within the city limits. 2,500 lucky fans were able to witness what happened on this night, help raise funds and awareness while getting a great show out of it.

2008 has a few major storylines for the band that mostly center around songs returning from long absences. This was the first time in 13 years that they brought W.M.A. to the table as a full performance, the first time in the Matt Cameron era that Who You Are was played, and it was the debut year for Lost Dog opening track, All Night. All three of these songs help define the time period, and if you happened to witness the band in New York that year, these songs were accompanied live by three local backing singers. We'll go into depth on how these songs benefitted from a different feel for the band at the time, and how the singers blended in soul with rock 'n' roll to create memorable performances. Especially of Harvest Moon.

We'll also talk about Randy's first year getting a chance to see a show and how that changed the trajectory of... his life? And on Javi's side, he'll go into depth on what displeases him about the sound in this era and why he thinks it holds the band back from being able to expand their pallet.

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After a massive tour in 2006, Pearl Jam's 2007 was a lot less chaotic than the 79-show tour that spanned three continents. They went back to Europe for 12 shows, half of them being festivals in places they've barely visited, and then two memorable shows in Chicago - Vic Theatre and Lollapalooza. This episode covers the Munich show from this run, one of their few arena headlining gigs from the tour. It was their first to back since 1992, a memorable night where they performed the Ten album in full.

After heavily supporting the Avocado record the year prior, this show specifically doesn't feature the same plethora of songs from the album. When supporting the record, they'd begin most of their shows with some kind of combination of World Wide Suicide, Life Wasted, Severed Hand and Marker In The Sand with around a total of eight songs from the record played, but in Munich they significantly reduced that album's representation opting for only three songs. However, Severed Hand is a major highlight from this show, and Unemployable will take us to a conversation where we connect it to a random 70's song that has nothing to do with Pearl Jam. Other highlights include the return of Sometimes after a long absence, a killer version of Sad, Matt Cameron's patented Even Flow solo for the era and how some of the gear Mike was using impacted songs like Given To Fly and Present Tense.

We'll also share the story of Ed's #5 guitar, how it relates back to Pete Townshend, and how it further relates to both Johnny Marr and Noel Gallagher in a wild tale that all gear and music nerds will enjoy.

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2006 was a massive tour year for Pearl Jam. With their Self Titled, or Avocado, record released, they set forth to travel the world on four big legs. Two legs of North America, a European and Australian leg took from May until early December to finish up. They starting doing more media again, they started doing festivals for the first time in six years, and the setlists were unforgettable.

This episode looks into their Auburn Hills show from the May leg. Sonically, this is considered one of the band's best tour runs. We'll spend time talking about how the big powerful guitar sounds from the record made an impact when transitioned live. Catch us talking about the original Severed Hand intro, Marker In The Sand aging gracefully, the background of Army Reserve and the double neck guitar usage on Inside Job as we breakdown all of the Avocado songs in their prime.

Not only that, but we'll dig deep into depths of conversation stemming from the 2006 rendition of Garden and how that song's evolution is similar to human growth. If you ever wanted to know what kind of humans Pearl Jam songs would be if Gepetto turned them real, this is probably the episode for you... but also probably not!

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Contact The Show - [email protected]

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