The New Yorker Radio Hour

In Aaron Sorkin’s latest film, “The Social Reckoning,” the Facebook founder Mark Zuckerberg deals with multiple federal investigations and a whistle-blower’s revelations about the damage that the company was causing young people. It’s a dark sequel to the 2010 film, “The Social Network,” and, this time around, Zuckerberg is played by Jeremy Strong, who’s best known as Kendall Roy on “Succession” and as Roy Cohn in “The Apprentice.” Strong undergoes an unusually intense level of preparation to inhabit his roles; he tells David Remnick that he would send Sorkin e-mails, while in character as Zuckerberg, at night after shooting. They discuss why Strong was rankled by The New Yorker’s 2021 Profile of him, and his interest in playing characters who are “right on the fault line of everything that’s going on in our world right now.”
Further reading:
“On ‘Succession,’ Jeremy Strong Doesn’t Get the Joke,” by Michael Schulman
“ ‘Springsteen: Deliver Me from Nowhere’ Tamps the Boss Down,” by Richard Brody
“ ‘The Apprentice,’ Reviewed: The Immoral Makings of Donald Trump,” by Richard Brody
“Masterstroke Casting in ‘An Enemy of the People,’ ” by Vinson Cunningham
“Farewell, Kendall Roy,” by Michael Schulman

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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Min Jin Lee gave up climbing the ladder of conventional success by quitting her corporate-law job and then spending more than a decade working on her début novel, “Free Food for Millionaires.” Ten years later, in 2017, she published “Pachinko,” a historical epic that was translated into more than thirty languages. Nearly another decade later, she released “American Hagwon,” which follows a family as they move from Seoul to Sydney to Southern California in pursuit of the best possible education for their children. Lee talks with David Remnick about the institution of the hagwon, her love of research, and making Korean experiences legible to readers around the world. “It’s my job to make everybody Korean, David,” she says. “I think Koreans are awesome. I want you to be Korean.”
Further reading and listening:
“Min Jin Lee Reads Wendy Kaufman,” an episode of the Fiction Podcast
“Testing,” by Min Jin Lee
“Min Jin Lee on Exams and Hagwons,” by Deborah Treisman
“What Min Jin Lee Wants Us to See,” by Michael Luo
“Stonehenge,” by Min Jin Lee
“After the Pyeongchang Winter Olympics, Healing the Deepest Fracture,” by Min Jin Lee

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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Ari Emanuel is the executive chairman of W.M.E., one of the biggest talent agencies in Hollywood. He has overseen the careers of Oprah Winfrey, Taylor Swift, Meghan Markle, Martin Scorsese, Dwayne (the Rock) Johnson, and Donald Trump. His entertainment machine now includes the W.W.E., the U.F.C., live theatres, ticketing operations, and more. In a new memoir, “Roll the Calls,” Emanuel charts his rise from working in the mailroom to global power. He talks with David Remnick about his disappointment with Donald Trump’s self-enrichment during his Presidency; his close relationship with Elon Musk, whom he calls an “incredible human being”; and doing business within “shades of gray” with the de-facto Saudi leader Mohammed bin Salman.
Further reading:
“Ari Emanuel Takes on the World,” by Connie Bruck

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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Grandmaster Flash has been an innovator in the art of d.j.’ing since he was practically a child growing up in the Bronx. As a young man named Joseph Saddler, he spent his days trying to figure out how to make the drum breaks in his favorite songs last longer and longer. Now in his late sixties, Flash remains as devoted to the art of the turntable as ever. In a new memoir, “Birth of a Culture,” he looks at hip-hop’s earliest days, as the music made its way from outdoor parties to huge venues like the Audubon Ballroom. He tells David Remnick how his creative innovations were born of an obsession with electronics, and why he views his group’s biggest hit, “The Message,” as the beginning of the end of a glorious moment in hip-hop culture.
Further reading:
“Grandmaster Flash’s Remix of Hip-Hop History,” by Vinson Cunningham

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.



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Malcolm Gladwell, a longtime staff writer at The New Yorker, often uses ideas from the social sciences and epidemiology and applies them to surprising topics. But his new book tackles an issue that’s in the headlines every day. The book is called “The American Way of Killing,” and the subject is America’s unique association with gun violence. Death statistics, he says, fail to convey the scale of the problem because advances in medical care save countless lives that are nevertheless scarred by violence. Gladwell talks with David Remnick about how gun-control advocates have got the problem wrong, and why he thinks that a persistent dynamic of under-policing and over-incarcerating is at the root of America’s problem. “I can’t even utter the phrase ‘defund the police,’ ” Gladwell says, “without nearly blowing a gasket.”
Further reading:
“What We Get Wrong About Violent Crime,” by Malcolm Gladwell
“Daniel Ellsberg, Edward Snowden, and the Modern Whistle-Blower,” by Malcolm Gladwell
“Thresholds of Violence,” by Malcolm Gladwell

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.




Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.