Computer Says Maybe

How does a country wage war using LLMs? Oh and WHY?
More like this: AI in Gaza: Live from Mexico City

In Computer Says Kill Ep #1 we are joined by Matt Mahmoudi. The US Department of War is leaning heavily on AI technologies to attack Iran. Matt explains how the use of LLMs to identify ‘legitimate targets’ is collapsing the chain of decisions that lead to lethal force. We discuss what this means at a time when fascist governments are eager to demonstrate their strength on the global stage. From Israel field-testing AI weapons in Gaza, to the US using AI tools in horrifying new ways to perpetuate ever worse war crimes, we start to connect the dots between the technology, the people powering it, and the human costs.
Further reading & resources:
Automated Apartheid — Amnesty International 2023
How Israel uses facial-recognition systems in Gaza and beyond — Matt’s interview in The Guardian about the report
Crimes of Dispassion: Autonomous Weapons and the Moral Challenge of Systematic Killing — Elke Schwartz, 2023
Sam Altman May Control Our Future—Can He Be Trusted? — By Ronan Farrow and Andrew Marantz, The New York Times, April 2026
“Big Brother” in Jerusalem’s Old City — Who Profits Research Centre
What is Israel's secretive cyber warfare unit 8200? — Reuters 2024
Genocide as Colonial Erasure — Francesca Albanese, October 2024
Buy Resisting Borders and Technologies of Violence, edited by Mizue Aizeki, Matt Mahmoudi, and Coline Schupfer
Buy The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World by Anthony Loewesnstein
can we add Francesa Albanese report
Matt’s research (Automated Apartheid, and anything else on warfare to link to?)
Palestine Laboratory

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Computer Says Maybe is produced by Georgia Iacovou, Kushal Dev, Marion Wellington, Sarah Myles, Van Newman, and Zoe Trout

This is Computer Says Kill, a new series on series focused on tracing the people, decisions, and systems that have recklessly ushered AI into the business of war.
What we’re watching play out— from AI military chatbots to tech companies in bed with authoritarian governments— isn’t a new story. It's the latest chapter in a much older relationship between technology, military power, institutional systems, and capital— one that has always moved faster than accountability, and always found a way to make the next thing feel inevitable. We're not convinced this is inevitable. But we think it’s time to understand to understand exactly how we got here.
The first episode in the series launches Friday, April 17th.
Computer Says Maybe is produced by Georgia Iacovou, Kushal Dev, Marion Wellington, Sarah Myles, Van Newman, and Zoe Trout

What better way than movies to help us process the world. Brian Merchant shares how our collective anxieties turn into cultural products.
More like this: One Filmmaker’s Fight Against AI w/ Valerie Veatch

Brian Merchant, author of Blood in the Machine, joins us this week to discuss his favorite unsettling, horror and thriller picks that bring our fears about AI and tech to life on screen.
Alix and Brian talk Terminator, Pluribus, and how even comedies about technology have a spectre of violence that helps us understand everything form labour exploitation to alienation to machine autonomy. All of this contributes to the role that film plays in helping us make sense of societal and technological change.
Click here to vote for us for the Webbys!

Further reading & resources:
The best books, film, and TV about AI in 2025 — Brian Merchant, Dec 2025
The Complete Guide to Luddite Horror Films — Brain Merchant, Oct 2024
The Chair Company (TV show)
Pluribus (TV show)
The Crying of Lot 49 by Thomas Pynchon
Exhalation and *The Lifecycle of Software Objects* by Ted Chiang
The Most Aggressively Anti-AI Film of the ChatGPT Era — Brian Merchant on ‘Good Luck, Have Fun, Don’t Die’, March 2026
The Comeback (TV series staring Lisa Kudrow)
Mrs Davis (TV series about a nun on a mission to destroy AI)
Computer Says Maybe is produced by Georgia Iacovou, Kushal Dev, Marion Wellington, Sarah Myles, Van Newman, and Zoe Trout

Naomi Klein has spent her career studying political movements — and she thinks progressives are doing better than we think. Because the fascists are scared.
More like this: To be Seen and not Watched w/ Tawana Petty

In her forthcoming book, End Times Fascism, Klein and co-author Astra Taylor take stock of the history of fascism and the collective power that has been brought to bear to fight it. This time is different. Tech titans accumulated tremendous power and wealth, and are firmly on the side of the fascists. And our information environment is flooded and disoriented. While that might portend a dark outcome, Klein has a different diagnosis. Fascist powers seem angrier and more aggressive than ever; but Klein thinks this is a sign that we are winning.
Further reading & resources:
The Rise of End Times Fascism by Astra Taylor & Naomi Klein
On Tyranny by Timothy Snyder
More about Naomi & Astra’s upcoming book End Times Fascism and the Fight for the Living World.
In 2026, We Are Friction-Maxxing by Kathryn Jezzer-Morton, The Cut, Jan 2026
Technofeudalism: What Killed Capitalism by Yanis Varoufakis
Walter Benjamin’s Concept of History
UN expert says world has given Israel ‘licence to torture Palestinians’ — Al Jazeera quoting Francesca Albanese, March 2026
How The 'Free Helicopter Rides' Meme Went Viral — The Progressive Magazine, September 2023
Safe or Just Surveilled?: Tawana Petty on the Fight Against Facial Recognition Surveillance — Logic(s) Magazine 2020
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Computer Says Maybe is produced by Georgia Iacovou, Kushal Dev, Marion Wellington, Sarah Myles, Van Newman, and Zoe Trout

The way artists make art matters. And some artists, like filmmaker Valerie Veatch, are exploring what role AI has in the craft of filmmaking.
More like this: Fantasy Factory: AI Supervillains w/ Anat Shenker-Osorio

Valerie Veatch is the director of Ghost in the Machine, a new film that explores the depths of the Silicon Valley fantasies around AI, and platforms all the people that challenge these fantasies. With this film, Valerie is working to change the culture of AI: it is not inevitable, in many way it’s not even possible, and therefore we have a right to refuse to engage with it. Valerie discusses why she made the film, what she learned, and what impact she’s hoping it will have.
Ghost in the Machine will be available for rentals and screenings beginning March 27, via Kinema! Pre-sales are now available at open now (go to Kinema and slelect the "Watch" tab). Proceeds will go towards the production of the film. The film will also be available on PBS in fall 2026.

Further reading & resources:
Trailer for Ghost in the Machine
Resisting AI by Dan McQuillan
On the Dangers of Stochastic Parrots by Emily Bender et al
The TESCREAL Bundle by Timnit Gebru and Emile P. Torres
Kinema — where you can watch Ghost in the Machine
**Subscribe to our newsletter to get more stuff than just a podcast — we run events and do other work that you will definitely be interested in!**
Computer Says Maybe is produced by Georgia Iacovou, Kushal Dev, Marion Wellington, Sarah Myles, Van Newman, and Zoe Trout