The Sugarcubes were an Icelandic alternative band that formed in 1986, and by the time the band ended in 1992 they had become Iceland's biggest music group. During this short career, The Sugarcubes were a complex post-punk, dream pop, experimental, indie dance rock band. Their music was a upbeat blend of psychedelic sounds, punk energy, pop-driven melodies, angular guitar riffs, and tribal rhythms. They combined this with unique storytelling and quirky, surreal lyrics characterized by the distinctive and ethereal vocals of their lead singer, Björk. Björk had began her music career at the age of 11, but it would The Sugarcubes years where she gained world wide recognition. This would lead to her internationally successful solo career that followed as she became the bestselling Icelandic musician of all time, and an influential pioneer in electronic and experimental music.Our episode will tell the story of Björk’s early years through the band Kukl, the forming of The Sugarcubes, their signature song “Birthday” and the 1988 international hit debut album, Life's Too Good, and the music over the next two albums before The Sugarcubes called it quits in 1992.
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Cabaret Voltaire - The Original Sound of Sheffield
The story of Cabaret Voltaire began when they formed in Sheffield, England in 1973 by Chris Watson, Richard H Kirk, and Stephen Mallinder. The band would go on to one of the most innovative, influential, and pioneering industrial and post-punk acts as they became known as the original sound of Sheffield. Cabaret Voltaire took their name from the Zurich nightclub that was the center of the early Dada movement and began their career with Dada-influenced performance art where they challenged musical norms and experimented with sound creation and processing. This would lead to Cabaret Voltaire expanding their use and development of raw tape loops, avant-garde noise, sampling and other technology while mixing in danceable electronic sounds along with art, politics, and social issues. Their 70’s and into the early 80’s work would foreshadow industrial and electronic music genres that would follow, and inspire many artists as they became one of the most important bands not to just industrial music, but music in general. In this episode we tell the story of Cabaret Voltaire and their music starting from the early years including albums Voice of America and Red Mecca, through the music after Chris Watson departed in 1981 as the band continued through the 80's with albums such as The Crackdown and Micro-Phonies.
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Primal Scream - The Loaded Screamadelica
Screamadelica, the 1991 third studio album from Primal Scream, was a defining album as it successfully fused indie rock with electronic, techno, and house dance music. The album was instrumental in bringing this musical style to the international mainstream.Although Primal Scream formed in 1982 in Glasgow, Scotland, it was not until lead singer Bobby Gillespie left his other band (The Jesus and Mary Chain) in 1986 that Primal Scream began to rise. Behind Gillespie, the band’s music went through periods of jangle pop and a harder garage rock sound in the 80's before a change of direction to the acid house scene. This occurred with a new dance music sound mixing indie pop, techno, dub, and psychedelia on the landmark third album, Screamadelica. This episode will discuss this band’s formation, the early years and music up through the highly regarding 1990 single mixed by DJ Andrew Weatherall, "Loaded", and the album that followed under Weatherall's production, the classic Screamadelica.
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Origins of Alternative Music: The Velvet Underground
The Velvet Underground formed in New York City in 1964 and has been considered by many as one of the most influential American rock bands. The band's music contained experimentation with instrumentation and sounds while containing raw and provocative lyrics from lead singer and guitarist Lou Reed. These features, along with unconventional and minimalist arrangements, would lead to the development of punk rock, new wave, post-punk, indie rock and many other genres of the alternative music world. In 1966, the Velvet Underground became the house band at pop artist Andy Warhol's studio, The Factory. With Warhol as producer, the band released their debut album in 1967, The Velvet Underground & Nico, featuring the German singer and model Nico. This album is considered as one of the greatest albums in music history due to it's influence on future artists and genres.This episode will discuss the influence of this band and their music, tell the story of the band's beginning and what was behind this music, and discuss the music of the classic debut album.
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45 Grave - Halloween from the Grave
When 45 Grave formed in Los Angeles in 1979, their music would combine punk rock with a dark and horror themed aesthetic becoming one of the first American gothic rock bands as they helped create the genre, deathrock. After the rise of the deathrock sound from the LA Punk scene, 45 Grave would release their critically acclaimed debut album in 1983, Sleep in Safety. The band’s most notable success came with version of a song from that album, "Partytime", that was featured in the 1985 movie and soundtrack of Return of the Living Dead.45 Grave broke up in 1985, but founding member and lead vocalist Dinah Cancer would later reform the band. Cancer would be deemed "The Queen of Deathrock" from her commanding stage presence and theatrics, and distinct vocals.This episode will discuss the origin of 45 Grave, the music from the band, and their dynamic lead singer, Dinah Cancer, as we welcome the band as our Halloween representative this week. Happy Halloween!
About Inside the Milky Way - A Look at Early Alternative Music
A podcast that takes a look at the development of alternative music in the 80's with a focus on post-punk, electronic, dark wave, goth, synth, industrial, and indie genres. The podcast episodes feature stories, background, and discussions of artists, contributors, music, themes, and events of the early alternative era.
The title of our podcast is based on the alternative song from 1988 by The Church, "Under the Milky Way".