Lost In Found Podcast

In this very special Lost In Found Podcast episode, our own ECD and Found Content Evangelist Tom Christmann sits down to talk with Mike Rovner and Michael Stoopack, two of the founders of TiNY, a new strategic creative micro agency based in New York City. The “very special” part is that your host, Tom Christmann, is the third TiNY partner. “It was a bit of a ‘crossing the streams’ moment,” says Tom. “World’s colliding. But we lived.”

Scott Felsenfeld is a Detroit-based video editor at Hogarth, cutting brand campaigns for Ford. He’s also a filmmaker on the side, running a short film competition team called 52 Scripts. In this episode, Scott joins Catch+Release ECD Tom Christmann to talk about editing as storytelling, the impact of AI on the craft, and what it takes to keep creating when the tools—and the timelines—are changing fast.

In this episode of Lost In Found, Bianca joins Catch+Release ECD Tom Christmann to talk about how inspiration is everywhere, why the best ideas start with culture, and why being unafraid is Mischief’s not-so-secret weapon.

Jess Kirkman, the Global Head of Creative at Mattel, has made a career out of keeping some of the world’s biggest brands connected to culture. First at Taco Bell, now leading creative for icons like Barbie, Hot Wheels, and UNO. But her approach to brand building isn’t just about product launches and polished campaigns. It’s rooted in something much deeper: play. In this episode of Lost In Found, Jess joins Catch+Release ECD Tom Christmann to talk about why keeping creativity human is more important than ever and how Jess thinks her most important job is to help the human teams she works with to find their spark in an age of infinite content.

In this episode, we explore how photography can transform strategic thinking and why capturing real-life moments leads to richer, more authentic storytelling. Edward Cotton challenges the traditional approach to strategy, where research is often reduced to spreadsheets and data points, by introducing photography as a form of emotional data. He believes that by using visuals to tell stories, strategists can present richer, more authentic insights that connect deeply with both clients and audiences.