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Party Favorz

Party Favorz
Party Favorz
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  • Funktastical Disco 2025: Future Funk Meets the Dancefloor
    Party Favorz is back with our latest Funky House set, Funktastical Disco 2025, where future funk meets the dancefloor — and boy, does this one pack a punch! This episode brings pure energy from start to finish. It’s a sonic journey through Disco House, Soul Funk, Nu Disco, and Big Room House, with every track shimmering in glitter and groove. Expect a full-on celebration of rhythm, packed with clever lyric samples pulled from iconic songs of the past. You’ll probably recognize a few of them, but if you get stumped, drop me an email and I’ll fill in the blanks. The Art of Sampling and a Soulful Nod Let’s kick it off with the opening track — an absolute gem. Shabi delivers a fierce update of Loleatta Holloway’s “I Need Someone,” one of her lesser-known mid-80s songs that leaned more electronic than her classic disco sound. The original was by Live Element and is overflowing with those trademark Holloway ad-libs we all know and love. Shabi doesn’t use them all, but the ones he does highlight are unmistakable. The result is a full-bodied Disco House stomper that turns nostalgia into pure, floor-shaking energy. If you haven’t heard the original, do yourself a favor and hunt it down — it’s a time capsule of mid-80s electronica that still feels ahead of its time. Refining the Groove While Funktastical Disco 2025 was wrapped a week ago, I ended up taking the scalpel to it. The original mix was longer, but it needed serious trimming — some tracks just didn’t measure up to the Party Favorz standard. Thankfully, several fresh releases dropped just in time last Friday, and after swapping out about ten filler cuts, the final result hits harder, flows better, and keeps that high-voltage funky pulse alive throughout. The mix does take a few smoother Funky House turns, giving brief moments to catch your breath before diving right back into that fiery groove. It’s relentless, bold, and built for anyone who lives for that feeling when the bassline hits just right. A Tribute to Ron Carroll Before closing out, I want to take a moment to honor a true legend of 90s House Music — Ron Carroll, who recently passed away. His influence shaped generations of producers and vocalists, and he was still giving us gold this year through both his remixes and collaborations. To pay tribute, I chose one of his final powerhouse tracks, “What A Wonderful World” by Bob Sinclar & Axwell, featuring Ron’s unmistakable vocals, to close out the set. https://www.youtube.com/watch?v=579pmr9qpGs The message couldn’t be more fitting given everything going on in the world right now. It’s a reminder that even through the chaos, there’s beauty and unity in music. I’d like to think Ron would have approved of this one. So, lace up those platform boots, grab your drink of choice, and let the glitter rain down — because Funktastical Disco 2025 is everything the name promises and more. Until the next time...ENJOY! Album: Funktastical Disco 2025Genre: Disco House, Soul Funk, Nu Disco, House MusicYear: 2025Total Time: 03:03:11 Shabi - Light My Fire (Original Mix) Derrick McKenzie & Angela Johnson - On My Way Out (Michael Gray Remix Extended) Keith Mac - What Am I Gonna Do (Extended Mix) Sparque - Let's Go Dancing (Michael Gray & Dr Packer Extended Mix) SHW - Poze (Original Mix) Norty Cotto - Stand On Up (United House Mix) DJ Mark Brickman - Love Will Fix It (2025 Refresh) Jay Vegas - My Life (Original Mix) Wh0, Sam Frandisco & Marco Melissen - Let It In (Extended Mix) Block & Crown x Hardcopy - What's That Bassline (Club Mix) Roog & Earth n Days - Nobody (Extended Mix) Prospa feat. Kosmo Kint - Love Songs (Extended Mix) Max Dean & Luke Dean - Gets Like That (Extended Mix) Dante Tom - Key To Your Soul (Sebb Junior Extended Remix) David Tort & Markem - Get Up And Dance (Extended Mix) Sgt Slick - Angel In My Pocket (Slick's Discotizer Extended Mix) Dario Nunez & Eli Rojas feat.
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  • HW25: Blood On the Dancefloor
    After skipping last year, Party Favorz brings back the HW series — and this one hits hard. Featuring the latest Future House, Tech House, Techno, Bass House, and NuDisco tracks tearing up dancefloors right now, HW25 isn’t just another Halloween mix — it’s a full-on experience. We’ve always resisted overloading our Halloween sets with gimmicky effects, but this year we decided to throw the rulebook out the window. While we didn’t saturate the mix with cheesy sound effects that distract from the music, we did craft a sinister custom intro that slides straight into the Bingo Players’ mashup of “Rattle” and the “Halloween” movie theme. From there, it’s a dark, pulsating ride through modern reworks of classic horror themes and songs tied to the ghoulish festivities that define the season — all perfectly blended to keep the music front and center where it belongs. This set leans into the darker, heavier edge of the night — because let’s face it, Halloween calls for a little menace. But it’s not all shadows and chills. We threw in some brighter, high-energy moments too, like a bootleg remix of Lady Gaga’s “The Dead Dance,” which stays true to the original while dialing up the heat. Other standouts include: SIDEPIECE’s fresh take on the millennial classic “Cry for You” by September. “Diamonds, Baby” by DancingFaraz, a hidden gem flying under just about everyone’s radar. “Yes Baby” by Madison Beer, because no Party Favorz mix is complete without a pop-driven punch. “My Gusta” by Eli Brown & GreeLy, another underrated cut that deserves serious club play. Don Diablo’s shimmering rework of Fleetwood Mac’s “Little Lies,” which is doing well on dance radio but criminally underappreciated elsewhere. And the hauntingly beautiful “Ishq Hai (This Is Love)” by Anurag Saikia, Armin van Buuren & Craig David, blending East-meets-West rhythms that should be charting — but inexplicably aren’t. https://www.youtube.com/watch?v=0onVF7Odcdc Then there’s the mysterious one: “Deep End” by BKAYE — a track that showed up in my promos with no info, no sender, and no clue where it came from. After scouring my Gmail, Beatport, and ZipDJ accounts, I finally traced a hint of it back to a SoundCloud promo email — long since deleted from their platform. When I reached out to BKAYE, he confirmed it was his track but admitted he didn’t send it. Still, he gave me his blessing to use it. The vocalist remains a mystery, but one thing’s for sure: this track is absolute fire. I’ve had it on repeat in my car and headphones for weeks. Do yourself a favor — follow BKAYE on Spotify and Apple Music. When “Deep End” officially drops, it should go straight to your playlists. To round out the set, we threw in several bootlegs and mashups to keep things unpredictable. A particular favorite is the BARTS remix of “Which One” by Drake and Central Cee. It’s addictive — the kind of track that burrows into your brain and refuses to leave. We’re already deep into production on our next Funky House Sessions, and it’s shaping up to be pure Funktastical Disco Heaven for all you House and Disco heads out there. Until the next time...ENJOY! Album: HW25Genre: Future House, Bass House, Tech House, Techno, NuDiscoYear: 2025Total Time: 02:51:07 Halloween Intro Bingo Players - Rattle (Halloween Theme Edit) CID x Taylr Renee - Fancy $hit (Extended Mix) BKAYE - Deep End (Extended Mix) Empire Of The Sun - Walking On A Dream (BLONDISH Extended Remix) Eurythmics - Sweet Dreams (Holderz 2016 Remix) John Summit feat. Inéz - crystallized Extended Mix) Juos feat. Techno Tupac - Side Man (Extended Mix) DIEGO SAN DIEGO x Alec Monopoly - Tequila (Extended Mix) bradeazy feat. TyriqueOrDIe - Up Down (Extended Mix) Pickle - Tipsy (Extended Mix) The Prodigy - Breathe (HUMAN404 Remix) David Guetta, Kiko & Olivier Giacomotto feat. FAANGS - After You (Extended Mix) Swedish House Mafia - Wait So Long (Agents Of Time Remix) ...
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  • Party Favorz Presents Fall Edition 2025: Circuit Anthems HOTTER Than Your Ex!
    Some time back, I railed against the Circuit House scene for recycling the same tired template. Too many tracks lacked originality, often missing a proper hook, while others simply forced the vocals of a classic song into a pre-used structure instead of building instrumentation around the vocal to keep its essence intact. Now, I can’t say Las Bibas From Vizcaya was responding to that criticism (probably not), but the fabulously talented producer dropped the infectious The Tribal House Is Dead — which almost felt like a cheeky swipe at me. Regardless, the track resonated with Circuit House fans, and Jace Me with Toy Armada took it to the next level with their remix. Far be it from me to ignore a great record. https://www.youtube.com/watch?v=4N0ZKtdCEoM With the exception of one song in the Fall Edition 2025, it seems like someone is finally listening. Suddenly, there’s a refreshing variety of styles and genres that still fit neatly under the Circuit House umbrella. Yes, you’ll hear plenty of big tribal beats, but you’ll also find Tea Dance-styled Funky House and darker progressive moments that round out the set beautifully. Variety is what makes this mix one of our favorites. Guy Scheiman’s Double Play Guy Scheiman absolutely nailed it — not once, but twice. The irony isn’t lost on me that this Israeli Jewish DJ dropped a Circuit House track in Spanish that connects instantly with Latin America. “Quiero Un Amor (I Want a Love(r)) hits all the right notes while expanding his global reach. His second entry, This Fire, is another powerhouse House track perfect for any Tea Dance or Circuit party. While it doesn’t directly sample Thelma Houston’s Disco classic Don’t Leave Me This Way, the phrasing and delivery are clearly inspired by it. You can’t help but think of the original while listening, which makes the track both familiar and fresh. Right now, Party Favorz is genuinely impressed with what Mr. Scheiman is laying down. https://www.youtube.com/watch?v=Z5VNAsK5pbY Sampling With a Twist Speaking of sampling, the recent EDM smash Together by David Guetta, Hypaton, and Bonnie Tyler got a Circuit House makeover from HenriqMoraes. This version is easily one of our favorite tracks of 2025. By weaving in lines from the early ’80s pop-drama staple Total Eclipse of the Heart, the song shifts from a love ballad to an anthem of unity that works on multiple levels. Let’s face it — no matter your age, you’d have to live under a rock not to know the original. It’s been reworked countless times since the ’90s and included in various commercials, but Henriq is the only Circuit DJ bold enough to spin it for the gay dance floor. And I need you now tonightAnd I need you more than everAnd if you only hold me tightWe'll be holding on foreverAnd we'll only be making it right'Cause we'll never be wrongTogether The Return of the Fabulous Antoinette Roberson Antoinette Roberson, best known for her vocals on The Lover That You Are from the ’90s, teams up with Dirty Disco for Sense of Danger. Mark once again proves he knows how to deliver an infectious groove that stays in your head. He even released a big-room dub that takes the track further, but since that version cut back too much on the vocal hook, we stuck with the original. What makes Jose Spinnin stand out is his veteran status in the scene. He’s one of those rare producers who instinctively knows the level of production a track needs to shine. More importantly, he has an unmatched ability to find the hook — that one element guaranteed to ignite a dancefloor. That’s why his name continues to carry weight after all these years. Disco, Funk, and Beyond For those craving deeper Disco vibes, we’ve got B.T.X. from Jose Spinnin Cortes, Luis Alvarado, Lupita Kush, and Brandon White. And if that’s not enough, Niki Haris, Donna De Lory, and Tracy Young deliver the delicious I Know You, I Live You, with Jose Spinnin on remix duty.
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  • BackSpin: Electro House Classics & Other Millennial Dance Hits Volume 11: 2011 — 2012
    Happy Friday everyone! Party Favorz is back with the third and final installment of BackSpin [2011–2012]. This edition wraps up our journey through the Electro House classics and millennial dance hits that defined this two-year period. This set brings the energy with unforgettable anthems that shaped the era. This set include era-defining songs like “Hello” by Martin Solveig and Dragonette, “We Found Love” by Rihanna and Calvin Harris, “Party Rock Anthem” by LMFAO, and “Save the World” by Swedish House Mafia—a group that probably deserves their own Legacy entry in the near future. Of course, no mix from this period would be complete without David Guetta. His collaborations with powerhouse vocalists dominated clubs worldwide. From “Turn Me On” with Nicki Minaj to “Titanium” with Sia, Guetta proved unstoppable. Titanium in particular became the defining anthem of the decade, pairing raw emotion with a drop that still gives chills. https://www.youtube.com/watch?app=desktop&v=JRfuAukYTKg&t=50 Spectrum: From Indie Roots to Electro House Anthem Another standout is “Spectrum (Say My Name)” by Florence + The Machine. Originally produced by Paul Epworth for the band’s 2011 album Ceremonials, the track was already an international hit thanks to Florence Welch’s soaring vocals and the band’s signature art-pop drama. It was only later that Calvin Harris stepped in with his remix, transforming it into a club juggernaut. His reimagined version climbed to the top of the UK Singles Chart and became a festival favorite, bridging the gap between indie and EDM. More than a decade later, the song continues to evolve with new Afro House reworks and a recent Morgan Seatree remix, proving just how enduring its core melody and vocals are. https://www.youtube.com/watch?v=O4-6Y_91v5I Party Rockers and Dancefloor Mayhem While the big-room anthems carried the charts, some of the most infectious energy came from unexpected corners. One of our favorite party tracks from this period is “Loca People (What the F*)” by Sak Noel**. The original and its accompanying remixes were stellar in their own right, but it was the bootleg mashup by DJs From Mars that really lit dancefloors. In particular, DJs From Mars—in one of their earliest appearances—delivered a mashup that still turns heads. By blending Sak Noel’s banger with Bingo Players and a familiar riff from The White Stripes, they created a genre-bending track that sent crowds into hysteria. If you were on the dancefloor when this dropped, you know the chaos it unleashed. Their version wasn't just a remix; it was a reinvention, taking an already memorable song and pushing it into next-level territory. https://www.youtube.com/watch?v=0-X4tSDHDa0 Closing the Chapter on 2011–2012 BackSpin Volume 11 officially closes out the 2011–2012 era of Electro House classics, but the journey continues. We’ll pick things back up with BackSpin [2013–2014] early in 2026, continuing the timeline and showcasing the evolution of EDM into its next phase. Before then, Party Favorz has something special lined up. By November, we’ll release a special edition that looks further back—from 1999 through the early 2000s. These big room classics were the precursor to the Electro House explosion of the 2010s, a period many consider the golden age of club music. Expect high energy, head-snapping BPMs, and big progressive tribal beats that laid the foundation for everything that followed. Even with BackSpin [2011–2012] Volume 11 closing this chapter, we’re not slowing down. More sets, more genres, and more reasons to keep your weekends lit with the very best in dance music. While you're here, consider chipping in by donating to Party Favorz—your support keeps these dance mixes coming. Until the next time…ENJOY! Album : BackSpin [2011 — 2012] Volume 11Genre : Electro House, Funky House, Progressive HouseYear : 2025Total Time : 3:27:56
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  • Summer Heat Volume 2: The Summer’s HOTTEST Club Bangers [Updated]
    This episode has been updated: Bass was added to the Ozzy Osbourne tribute "Crazy Train" and the transition for TOMAZO - Turn On The Lights x Dont Stop The Music x The Blaze (Tomazo Mashup) was shortened.  One thing oddly missing from this year’s summer soundtrack is the elusive “Song of the Summer.” Every year, there’s usually one track—whether pop, hip hop, dance, or even a left-field sleeper—that dominates airwaves and burrows into our brains. This summer? Not so much. Last year, Sabrina Carpenter’s Espresso filled that role perfectly, becoming the go-to anthem from beach parties to TikTok reels. Her label clearly hoped Manchild would repeat the success, but while catchy, it never caught fire in quite the same way. Even with an impressive batch of bootleg remixes (some of them excellent), it didn’t fit the overall mood of this mix and was subsequently dropped. How We’re Consuming Dance Music in 2025 As I’ve mentioned before, people aren’t just relying on traditional radio anymore. Music discovery is happening everywhere—Spotify, Apple Music, YouTube, TikTok, and countless other platforms. For the current generation, the club scene feels fractured, with most of the real momentum happening at massive EDM festivals. Having moved to the suburbs and living in a dry county, I’m admittedly far removed from it these days, but even from a distance it’s clear the club culture isn’t what it once was. Dance music itself isn’t dead—it’s just shifting in how people experience it. Diversity Defines Summer Heat One thing that stands out across our Summer Heat 2025 mixes is the sheer variety. Unlike years past when a couple of styles dominated, the sound is now wide open. That diversity raises the difficulty factor when building seamless sets. Take Afro House, for example. It had its hot minute, but it’s better suited for chill sets than high-energy dance floors. Transitioning from 120 BPM to 128 BPM can feel clunky without chopping tracks, and we’ve never been about jarring cuts just to get from one song to the next. Party Favorz is all about creating a musical journey, where each transition feels intentional. We may not hit perfection every time, but we get pretty damn close. What You’ll Hear in Volume 2 Volume 2 is packed with the latest summer dance songs, club anthems, and fresh remixes that define the season. Alongside those are perennial dance classics resurrected through mashups and bootlegs—the kind of surprises long-time listeners expect from this series. I do want to clear something up, though. The opener, Heartbreak Melody by Alan Walker and FAANGS, has been making waves on TikTok, with one viral video calling it an “80s classic.” Let’s get this straight: it’s not from the 80s. The track samples Be My Lover by La Bouche, a massive 90s Eurodance anthem. That song didn’t just dominate clubs—it crossed over to mainstream radio, paving the way for an entire wave of Eurodance acts. Here at Party Favorz, we even dedicated an entire series to 90s Eurodance, celebrating every bit of its cheesy, hands-in-the-air glory. Walker and FAANGS deserve credit—they’ve reimagined the track with new lyrics while keeping the essence of the original. But mislabeling it as an 80s song? That’s just lazy research. https://www.youtube.com/watch?v=ViP87WipSm0 https://www.youtube.com/watch?v=MGzoz2UlDek Looking Ahead This mix acts as a bit of a reset as we transition into fall—something that seems to be arriving earlier than usual here. Coming up in the next few weeks, Party Favorz will wrap up the final two editions of BackSpin, covering some of the biggest club songs from 2011–2012. After that, we’ll drop our only Chill Out set of the year, plus a few updated entries in the Diva Hall of Fame. On a personal note, I’ll also keep everyone updated on the saga of my shin infection (yes, looks like that one’s sticking around into next year). Until the next time...ENJOY!
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