Beatles Books

My guest today is Richard Ogden who is here to discuss his book 'Bigger Than The Beatles'.

Richard was Paul McCartney's manager from 1987 to 1993 and he tells us the ups and downs of managing a superstar.

Richard oversaw Paul's collaboration with Elvis Costello, his return to form with the 'Flowers in the Dirt' album and Paul getting back on the road with 1989/90 World Tour.

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My guests for this episode are Amelia Davis and Joel Selvin who are here to discuss their work on 'Live at Candlestick Park 1966' a book which collates Jim Marshall's incredible backstage and on stage pictures of The Beatles final concert at Candlestick Park.

Amelia was Jim's assistant for many years and writer Joel was a close friend of Jim's so they provide an informed and entertaining insight into these mostly unseen pictures.

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For this episode I'm joined by Spencer Leigh to discuss his memoir '80 @ 80'.

Spencer was a first generation Beatles fan from Liverpool who began making programmes for BBC Radio Merseyside in the mid 70's. He amassed a huge library of interviews with Merseybeat musicians which led to his first book 'Let's Go Down to the Cavern' in 1984.

Many other Beatle books followed, which include his biography of Cavern MC Bob Wooler and a look at the Pete Best sacking 'Drummed Out.'

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My guest today is Jim Windolf, who joins me to discuss 'Where The Music Had to Go - How Bob Dylan and The Beatles Changed Each Other - and the World'.

Jim's book looks at the entwining careers of two of the 20th Century's most important musical artists, and details known meetings through the 60's and beyond - From Lennon's and McCartney's lyrical transformations to George Harrison's growth as a songwriter, Jim showcases the ripple effects of the Beatles-Dylan connection.

My guest today is the writer, broadcaster and journalist, Samira Ahmed, who joins me to discuss her BFI Film Classics book on The Beatles first film, 'A Hard Day's Night'.

Drawing on her own experience of first discovering the film as a child and going on to work in the television industry, Samira shines a spotlight on the craft behind the film's enduring appeal. What makes this film still so thrilling and vital? What made it stand out from most of the pop films that had been made previously?