Culture Gabfest

The original trio Steve, Dana, and Julia convene for a right cracker of a Gabfest as they discuss How to Get to Heaven from Belfast, the new comedic mystery from Derry Girls creator Lisa McGee. In the Netflix series, three longtime Belfast friends must revisit their childhood trauma to unravel the mystery of a fourth friend’s disappearance— raucous Northern Irish hijinks ensue.

Next, they step into the unhinged dystopian Los Angeles of Gore Verbinski’s new film Good Luck, Have Fun, Don’t Die. In it a beleaguered time traveler played by Sam Rockwell must visit the same Norm’s diner 117 times to save the world from the menace of A.I..

Finally, they welcome Slate senior writer Christina Cauterucci to unpack her recent piece “My Gun and Me” about her unlikely journey towards gun ownership during Trump 2.0—and how she’s not alone in doing so in her left-leaning, queer community.

In an exclusive bonus episode for Slate Plus subscribers, they determine if there are indeed no comfortable reading positions, as a recent Slate essay by Luke Winkie attests.

Endorsements

Dana: The latest Today in Tabs entry from Rusty Foster "A.I. Isn't People."

Julia: In lieu of an endorsement, a gripe: the much-hyped New York Times two-player word game Crossplay is just Scrabble! (If only there were a German word for this specific form of disappointment...)

Steve: Rereading J.D. Salinger with some distance from one’s own adolescence— particularly Franny and Zooey and the short story "For Esmé—with Love and Squalor." And for a good critical reassessment, read Janet Malcolm's New York Review of Books essay "Justice to J.D. Salinger."

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Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

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This week, Dana is joined by Amy Nicholson, Los Angeles Times film critic and host of the podcast Unspooled, as well as Jamelle Bouie, New York Times columnist and host of the podcast Unclear and Present Danger. They discuss love affairs, lustful, glamorous, and interspecies.

First up, it’s the lustful as they take up Emerald Fennell’s bodice-ripping adaptation of “Wuthering Heights.” Starring Margot Robbie and Jacob Elordi as the doomed duo Cathy and Heathcliff, the adaptation promises an over-the-top, camp spin on the Gothic tale but does it offer enough depravity to really deliver?

Next, it’s on to the glamorous with the Ryan Murphy-produced, CK One-scented limited series Love Story: JFK Jr. and Carolyn Bessette about the tragic love story of the political scion and New York fashion It Girl.

Finally, they discuss all the interspecies hijinks and backstage chaos in the delightful revival of The Muppet Show.

In an exclusive bonus episode for Slate Plus subscribers, the trio of cinephiles celebrate recent reporting that movie theaters are cool again.

Endorsements

Jamelle: William Wyler's 1939 version of Wuthering Heights starring Laurence Olivier— and while you're visiting the Criterion Channel, check out their collection Mervyn LeRoy’s Pre-Code Films.

Amy: Gore Verbinski's new film Good Luck, Have Fun, Don’t Die, in theaters now.

Dana: The patient, observant documentaries of the recently deceased filmmaker Frederick Wiseman, several of which are available to stream on Kanopy.

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Email us your thoughts at [email protected].

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.
Hosted on Acast. See acast.com/privacy for more information.

The sugarcane fields! La casita! Piraguas! Lady Gaga! Ricky Martin! An actual wedding! Bad Bunny’s immense and boisterous Super Bowl Halftime show brought a whole Puerto Rican universe to Levi’s Stadium and into American viewers’ homes. Julia and guest hosts Nadira Goffe and Rebecca Onion revel in the joyful spectacle and are joined by Slate writer Joshua Rivera to decode the inclusive politics of this party.

Next, the panel examines the bracing, anxiety-inducing film If I Had Legs I’d Kick You. Starring a ferocious and funny Rose Byrne and directed by Mary Bronstein, it’s a jittery, intense portrait of motherhood.

Finally, they discuss the hugely popular podcast The Rest Is History and ponder how two British dudes—Tom Holland and Dominic Sandbrook—talking about things like the Battle of Carthage captured so much attention and admiration.

In an exclusive bonus episode for Slate Plus subscribers, it’s time for some Wednesday morning quarterbacking to size up the big game’s real players: the commercials.

Endorsements

Nadira: The new album of footwork music OVERTIME by the underground hip hop outfit usertime and Marsh crane as well as the new album URGH by the English–French noise rock band Mandy, Indiana.

Rebecca: The novel The Director by Daniel Kehlmann and the 2011 appropriately moody Bronte adaptation Wuthering Heights directed by Andrea Arnold.

Julia: The new cookbook by Joshua McFadden Six Seasons of Pasta — try all the absurd little steps at least once, the cheese gravel is good!

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Email us your thoughts at [email protected].

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.
Hosted on Acast. See acast.com/privacy for more information.

This week, Steve, Dana and guest host Sam Adams talk anti-authoritarian art in its many forms. First, they take up It Was Just an Accident, the Cannes Palme d’Or-winning film by Iranian filmmaker Jafar Panahi. Inspired in part by Panahi’s own experience being imprisoned for critiquing the Iranian government, his new film—made in secret from the regime— holds back little in its sharp political critique, rage, and… a surprising amount of comedy.

Not surprising in its amount of comedy— but maybe in its frequently anti-authoritarian politics—is Mel Brooks: The 99 Year Old Man! The documentary series about the showbiz legend, produced by Judd Apatow and Michael Bonfiglio, is a loving portrait of the long, unmatched, and revolutionary in its own way, career of Brooks.

Inspired by the recent release “Streets of Minneapolis” by Bruce Springsteen, the panel dedicates its final segment to the state of protest music in 2026. Joined by music critic Carl Wilson, of the Slate and Crritic!, they discuss the long tradition and still potent power of singer/songwriters with acoustic guitars—and the many political artists who defy that stereotype. To hear some of the music they talked about, plus several more current protest songs, check out our 2026 Protest Playlist.

In our bonus episode for Plus subscribers, the gang eulogizes the divine comic genius of Catherine O’Hara.
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Shuffling under the mortal coil this week (aka hosting the Gabfest), it’s our OG players Steve, Dana, and Julia. Like a morose Danish prince contemplating a human skull, they gaze upon the Oscar nominated Hamnet, based on the novel by Maggie O’Farrell inspired by William Shakespeare’s life. Directed by Chloé Zhao and starring Jessie Buckley and Paul Mescal, Hamnet has brought some critics to tears and left others cold. Our hosts share where they landed.

Next, they boot up the Netflix content machine to view The Rip, a new cop caper reuniting Matt Damon and Ben Affleck. Do the boys from Boston (illogically playing Miami cops) make good again? Finally, they welcome New Yorker writer Clare Malone to discuss her recent profile of the deeply polarizing, newly-appointed head of CBS News Bari Weiss.

In a special add-on, Isaac Butler leaves a voice memo to share his vituperative take on Hamnet—as outlined in a recent Slate piece. The Hamnet discourse continues in a bonus episode exclusively for Slate Plus subscribers wherein the gang unpacks the film’s ending. Is the play indeed the thing?

Endorsements

Dana: The book Hamnet by Maggie O’Farrell especially the audiobook version read by Jessie Buckley.

Julia: The hilarious video of Matt Damon and Ben Affleck with Jimmy Fallon naming all the towns in Massachusetts on The Tonight Show, the sober, intelligent New York Times opinion round table between Lydia Polgreen, David French, and Michelle Goldberg about ICE raids in Minneapolis and the killing of Alex Pretti, and the still deeply timely film I’m Still Here.

Steve: The film Sentimental Value and the double album Sing the Children Over & Sand In My Shoe by the singer/songwriter Kath Bloom as well as the Kath Bloom cover “Come Here” by the band The Concretes.

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Email us your thoughts at [email protected].

Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch.
Hosted on Acast. See acast.com/privacy for more information.