Classic Metal Show

Chris has apparently reached the point where the work-home-work-home routine is starting to drive him fucking crazy.
So what’s the solution? Get the hell out of the house.
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The guys get into getting back to live music, the shows Chris wants to see, and why HammerFall is finally getting another live appearance after all these years. But the conversation also takes a more personal turn as they talk about losing friends, serious health scares, and the uncomfortable realization that you can get way too comfortable doing absolutely nothing.
And naturally, it doesn’t stay serious for long. TVs, smartphones, sleeping with talk radio, true crime, and plenty of completely unnecessary CMS oversharing all make their way into the conversation.
Maybe getting out of the house really is the cure.
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All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cmspn.substack.com/subscribe

KISS, Paul Stanley, vinyl, studio monitors, Dolby Atmos and Spotify royalties — yeah, this one goes all over the damn place.
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The discussion starts with the long-delayed KISS Rocks Vegas Blu-ray/DVD release and its Dolby Atmos presentation before taking a hard left into Paul Stanley’s incredibly detailed thoughts about studio equipment, JBL 4311s, Yamaha NS-10s and Electric Lady Studios.
Then comes the vinyl argument: is that famous “warmth” really better, or are you giving up some of the high-end detail in the process?
And finally, the conversation gets much more interesting when Stanley’s criticism of streaming and the money artists actually receive from services like Spotify comes into play.
It’s KISS, audio nerd territory and the music industry’s streaming mess — with the usual CMS attitude attached.
Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.com
All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cmspn.substack.com/subscribe

The Scorpions were supposed to tear up Las Vegas—but now the residency is canceled. So what the hell happened? Meanwhile, David Lee Roth is back in full-on DLR mode, Zakk Wylde has some thoughts about the death of the traditional album, and John Corabi explains why he walked away from The Dead Daisies. But is Corabi telling the whole story, or just polishing the exit?
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Add in the usual unfiltered opinions, questionable logic, and absolutely no shortage of metal insanity, and this episode goes places fast.
Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.com
All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cmspn.substack.com/subscribe

What happens when a low-budget documentary suddenly becomes one of the most talked-about films on the internet?
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Dylan Avery became the face of Loose Change, a documentary that exploded into the public conversation and turned its young filmmaker into one of the most recognizable names associated with the 9/11 conspiracy-documentary phenomenon.
This interview is a flashback to Avery discussing the film, the reaction it generated, and what it was like to find yourself at the center of a conversation that went far beyond filmmaking.
If you remember Loose Change, this is a serious trip down the rabbit hole. If you don’t, it’s a fascinating look at how an independent film became an internet-era cultural lightning rod.
Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.com
All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cmspn.substack.com/subscribe

From working with Doors producer Paul Rothschild in the 1980s to signing with Warner Bros. as part of The Power Trio From Hell and eventually moving forward with Brian Fox and Load, Fox has spent decades in the music business. Now he’s taking a very different approach with Load The Jet Rocket, releasing it exclusively through Chem Trail Records and taking aim at the major digital music platforms he believes take too much from artists.
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Then the conversation takes a serious left turn.
Fox openly discusses his belief that 9/11 was an inside job, laying out the physical and scientific anomalies he believes raise questions about the official explanation. Chris Akin and Neeley dig into those claims, and a caller jumps into the discussion with questions about the phone calls reportedly made from the hijacked aircraft.
Fox also unloads on government institutions, the Federal Reserve, political leadership and what he sees as media control — while insisting that his response is ultimately about peace, positivity and using music to get his message out.
It’s music, politics, conspiracy theories and one seriously unconventional conversation.
Watch commercial free and without delayed publishing by becoming a CMS VIP at https://classicmetalshow.locals.com
All comments are merely the opinions of the people speaking them, are for comical performance, and are in no way stated as factual.


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cmspn.substack.com/subscribe