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The Documentary Podcast

BBC World Service
The Documentary Podcast
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  • 50 years since Franco: Spain, the valley and a troubled legacy
    50 years after the death of the dictator Francisco Franco, Spain continues to feel its way towards an accommodation between its once-warring factions. And nowhere in Spain is more emblematic of the lasting divisions provoked by the Spanish civil war than the place known for decades as El Valle de los Caidos – the Valley of the Fallen. Built partly with the forced labour of political prisoners, this is a monument that symbolised Franco’s fascist victory over Republican Spain. The Valley became a pilgrimage place for people who revered the dictator – especially after he was buried behind the basilica’s altar. But in the 21st century, the debate has been about the place of such a monument in modern Spain. And since 2018, Spain’s Socialist government has been determined to change the narrative. In 2019, the remains of Francisco Franco were removed. Then the site was renamed El Valle de Cuelgamuros. And just this year - after lengthy negotiations - the Vatican and the Catholic Church in Spain accepted the government’s plans to make the site, ‘a place of democratic memory’, rather than somewhere paying homage to the dictatorship.But it seems no one is happy. For Assignment, Esperanza Escribano and Linda Pressly explore the story, legacy and future of El Valle de Cuelgamuros.This episode of The Documentary comes to you from Assignment, investigations and journeys into the heart of global events.
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  • 'No justice, just kills’
    On 19 November 2005, US Marines killed 24 civilians in Haditha, Iraq, many of them women and children. The incident led to the longest US war crimes investigation of the Iraq war. But in the end, no one went to prison. A four-year investigation by BBC Eye has uncovered footage, legal documents and marine testimonies that have never before been made public. Reporter Lara El Gibaly speaks to the forensic investigator and lawyers involved in the case, who are speaking out about what happened, and why those responsible for the deaths walked free. And she travels to Iraq to take this information to the survivors, Safa and Khalid, who have been searching for answers about the killing of their families for twenty years.
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  • Film director Gurinder Chadha
    Charles Dickens' A Christmas Carol is the inspiration behind Gurinder Chadha's new film Christmas Karma. Scrooge becomes Mr Sood, a miserly businessman in contemporary London, with a loathing of the weak and the homeless. In a series of fantastical scenes he is confronted by the ghosts of past, present and future Christmas. With more than a hint of Bollywood, the film is shot as a vibrant musical. In the Studio follows Gurinder in the making of the film - from shooting on set, through the music making and the edit, to the final presentation of the movie. Along the way, Gurinder explains her ways of working, her serious interest in some of the darker themes of the film, and why it was her children that made her persist in getting the film done.
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  • The COP 30 summit and the climate change frontline
    The 30th COP climate summit is under way in the Brazilian city of Belém. BBC World Service Environment Correspondent Navin Singh Khadka has been covering COP since 2006. He joins us to share his insights on the inner workings of the summit and how it has changed over the years. In 2023, Algeria experienced devastating wildfires, particularly in the Kabylie region which is home to the Amazigh people. The Algerian government typically broadcasts brief updates in Algerian Arabic, which many people in affected regions do not speak. This lack of linguistic inclusivity means that vital information often fails to reach those who need it most. Khadija Maalej from BBC Media Action explains how a project called WISER has set about improving communications in order to save lives. For centuries, people fleeing slavery lived in isolation in Jalapão, in the east of Brazil. They survived by raising cattle and used controlled fires to renew the natural pasture for their herds. Then, in 2001, the government banned burning. The ban had the opposite effect to what was desired: Jalapão began to face gigantic wildfires until, in 2014, the state relented and began to encourage controlled burns again. João Fellet of BBC Brasil has travelled to Jalapão, to speak to the Quilombola people, and watch their controlled burns. This episode of The Documentary comes to you from The Fifth Floor, the show at the heart of global storytelling, with BBC journalists from all around the world. Presented by Faranak Amidi. Produced by Caroline Ferguson and Laura ThomasThis is an EcoAudio certified production. (Photo: Faranak Amidi. Credit: Tricia Yourkevich.)
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  • Changing religion for love
    How difficult is it to stay together when you have different religious faiths? US Vice President JD Vance spoke recently about his interfaith marriage – he’s a Christian and his wife, Usha, is Hindu. They are raising their children as Christians, and the Vice President said he hopes that his wife will one day convert. In our conversations, we bring together happily married couples with different faiths –Muslim, Hindu and Christian – to discuss how they navigate religion in their relationships
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About The Documentary Podcast

A window into our world, through in-depth storytelling from the BBC. Investigating, reporting and uncovering true stories from everywhere. Award-winning journalism, unheard voices, amazing culture and global issues. From Trump's new world order, to war in Sudan, to the legacy of football icon Mo Salah, The Documentary investigates major global stories.We delve into social media, take you into the minds of the world's most creative people and explore personal approaches to spirituality. Every week, we also bring together people from around the globe to discuss how news stories are affecting their lives. A new episode most days, all year round. From our BBC World Service teams at: Assignment, Heart and Soul, In the Studio, OS Conversations, The Fifth Floor and Trending.
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