The Minefield

How should we wrestle with the problem of loving the art, but being unsettled by the behaviour or the beliefs of the artist who created it? It would be a mistake to see it as just an ethical problem. It is also an aesthetic problem. Because knowing what we know causes us to see the work differently.

Could a stand-up routine ever rise to the level of "art" — the kind of performance that rewards multiple viewings, whose humour grows and deepens, which contains subtleties waiting to be discovered? Enter US comedian John Mulaney with a 2017 comedy sketch. There is something undeniably enduring, timeless even about Mulaney's act.

When saving face is paramount to all other considerations, others invariably pay the price in order for the untrammeled supremacy of the ego to persist. But by permitting someone to "save face", are we not providing a constructive way of keeping them within a moral community?

There are few things more peculiar to a person than their preferences; why they favour one genre of music or one style of writing over another. And in our world of endless digital reproduction, we increasingly rely on recommendation algorithms to curate or triage our encounters with culture. But algorithms tend toward massification; they rule out the possibilities of both aesthetic achievement and sheer surprise.

AI is sometimes portrayed in utopian terms as the essential technological innovation. At other times, it's described as representing an existential threat to human life, a technological creation that will inevitably lay waste to its creator. Regardless of how we view it, could the cost of AI extend far beyond economics?