
The importance of letting someone 'save face'
31/12/2025 | 54 mins.
When saving face is paramount to all other considerations, others invariably pay the price in order for the untrammeled supremacy of the ego to persist. But by permitting someone to "save face", are we not providing a constructive way of keeping them within a moral community?

How do recommendation algorithms affect our sense of taste?
24/12/2025 | 54 mins.
There are few things more peculiar to a person than their preferences; why they favour one genre of music or one style of writing over another. And in our world of endless digital reproduction, we increasingly rely on recommendation algorithms to curate or triage our encounters with culture. But algorithms tend toward massification; they rule out the possibilities of both aesthetic achievement and sheer surprise.

AI and the cost to human life — with Karen Hao
17/12/2025 | 54 mins.
AI is sometimes portrayed in utopian terms as the essential technological innovation. At other times, it's described as representing an existential threat to human life, a technological creation that will inevitably lay waste to its creator. Regardless of how we view it, could the cost of AI extend far beyond economics?

What can we learn about politics from Ambrogio Lorenzetti’s ‘Good and Bad Government’?
10/12/2025 | 54 mins.
It is one of the casualties of democratic politics that citizens rarely remain indifferent about the governments they elect. By investing politicians with their hopes or fears, their aspirations and anxieties, voters ensure that they will take the performance of a government personally. This is why politics cannot be emptied of emotion: electors and the elected are bound together by filaments of expectation and accountability, and the conditions of their common life depend on the maintenance of those delicate affective bonds.But when contempt, corruption, greed, incompetence, inattentiveness, unresponsiveness, popular suspicion and outright violence are allowed to eat away at these bonds, it is the political and civil life of the nation as a whole that suffers. For in such conditions, good governance becomes impossible — either because politicians habitually treat the electorate with disdain or because voters are so aggrieved that they gravitate towards those who will give voice to their discontent.That’s why it is imperative to do what can be done to strengthen the political, civic and moral bonds that connect citizens with one another and governors with the governed.How might we cultivate the capacity to imagine that politics can, in fact, be a means of pursuing and achieving the good, that there are virtues inherent to the political vocation? It may well begin with the recovery of an almost pastoral vision of politics as what emerges out of a people’s concern to care for their common life.It is just such an imagination that is richly on display in a series of murals painted by Ambrogio Lorenzetti on the walls of the Sala dei Nova (the Hall of the Nine, otherwise known as Sala della Pace, the Hall of Peace) in Siena’s Palazzo Pubblico between 1337 and 1340. Lorenzetti’s commission was at once to visualise the philosophical undergirding of the political system of Siena under the stewardship of nine self-selecting governors, and to remind those dispensing justice and those seeking it of the stakes of their deliberations.Lorenzetti evidently drew on the political vision of the Nine — their own understanding of the virtues that are inherent to the vocation of good governance — and he/they drew liberally from the tradition of soulcraft/statecraft from the Italian renaissance, as well as from Seneca and Cicero, Augustine and Aquinas. The question is whether we, in our time, with our resources, can recover an analogously compelling vision of guarded optimism, of mutual accountability, of prudence and wisdom, such that we, too, can articulate the conditions in which politics can be a force for good.

The ethics of life-writing: Memoirs may be popular, but can they be truthful?
03/12/2025 | 54 mins.
In the world of book sales, what “romantasy” is to fiction, autobiography/memoir is to non-fiction. There is an undeniable appetite for the purportedly true stories of famous or otherwise public figures whose lives are shrouded in PR or private interests.Moreover, autobiographies have a kind of inherent meaning or telos — disparate elements come together to form a narrative which always will have been meaningful. Part of our desire to read such memoirs is certainly prurient, a wish to know more than we are entitled; but part is also inspirational or “admirational”, nourishing the belief or hope that our lives, too, will end up having been meaningful.And yet, there is nothing uncomplicated about the task of telling the story of our lives. There is an ethical flaw at the heart of such a task: given how given we are to self-justification and self-absolution, how ungenerous we can be in response to the actions and intentions of others, how forgiving we can be to our own inconsistencies and hypocrisies, and how blind we often are to the effects our own behaviour to other people’s lives, who’s to say we are adept at narrating our stories truthfully?And yet our story is our own, and there is a certain humiliation, a certain violence, that accompanies an inability to tell it — for our lives to be wholly narrated by someone else, as though we were a footnote to their story.What, then, are some of the ways that we can discover truthfulness “in the innermost parts” (as the Psalms put it)? There are other forms of life-writing that would seem to evade or at least temper the temptation to self-deception. The example of Helen Garner’s decision to publish her diaries — raw, flawed, achingly human — would stand as a morally credible counterpoint to the sheer overwhelming excess of Karl Ove Knausgaard’s My Struggle. Then there’s also the auto-fictional experiment of Rachel’s Cusk’s Outline trilogy, whereby readers come to know the central character only through her attentive conversations with others. One of the most remarkable recent examples is Helen Elliott’s memoir Eleven Letters to You, which is less an autobiography than it is an account of the friendship, truthfulness, decency of others — Elliott is simply “the hinge holding it all together”.Could it be that we simply cannot know ourselves, the meaning of our lives, without the provocation and perspective of others, who help us come to see that the truth about ourselves is most often discernible through our actions and relationships?



The Minefield