The Minefield

If there is something inherently suspicious about political appeals to “the heart” — which is to say, attempts to exploit unreflective prejudices and reactive emotions — then it is also true that a form of politics that is unresponsive to heart-felt appeals to a common humanity, to compassion, to decency, is dangerous.
How can we maintain the precarious balance between a politics that trades cheaply on emotion, and one that both comes from and appeals to the heart?
Guest: Christos Tsiolkas is the author of eight novels — Loaded, The Jesus Man, Dead Europe, The Slap, Barracuda, Damascus, 7 ½, The In-Between — and the short story collection, Merciless Gods. He is a playwright, screen writer, essayist, radio host and currently a film critic for The Saturday Paper. In September last year, he delivered the 2025 Ray Mathew Lecture at the National Library of Australia, on the topic “Fence-Sitting”.

Over the course of this Ramadan series, we are exploring the contours of a cardiocentric conception of the moral life. The notion of the primacy of the heart goes back three millennia: it finds expression in the ancient cultures of Mesopotamia, Egypt and China, and in the philosophy of Aristotle; it pervades the pages of the sacred texts and subsequent traditions of Judaism and Islam — and even now, its remnants persist in our everyday speech, as if to remind us of an older wisdom.
In this broader conception, the heart is a kind of physio-spiritual organ which, at once, coordinates the body’s movements by providing its orientation within and opens the person to moral realities without. A central feature of “the heart”, then, is its capacity for moral responsiveness. The heart is not all there is to the moral life — there is moral reasoning, and there are moral obligations — but it may not be a stretch to say that “the heart” is the moral life’s indispensable element. In a hadith, Muhammad is reported to have said: “There is a piece of flesh in the body if it becomes good the whole body becomes good but if it gets spoilt the whole body gets spoilt and that is the heart.”
Last week, we touched briefly on the fear that is often expressed in Islam of the heart being “sealed off”, rendered impervious to divine wisdom or moral appeal. Within the Jewish tradition, this fear is expressed in terms of the heart being “hardened” (literally “toughened” or “strengthened”). In both traditions, this condition is most particularly associated with the figure of the Pharaoh of Egypt (see, for instance, Exodus 7:13, 22; 8:16; 9:24; Qurʾān 10:88). He is not, and cannot be, responsive to the divine appeal — and for that reason, he is damned.
Because the worst thing that can happen to a heart is for it become hardened, Pharaoh acts as a cautionary figure (see Deuteronomy 15:7). Through his repeated refusals, his heart toughens to the point that it grows impervious — at which point, his heart is given over to what is called in the rabbinic tradition “the evil impulse”. As Rav Assi puts it in the Talmud (Sukka 52a): “At first the evil impulse is as thin as a spider’s gossamer, but in the end it is as thick as a cart-rope.”
It is unsurprising, then, that in the we often find prayers in the Jewish tradition (which characterises prayers themselves as “work of the heart”) asking to be kept from having a “hard heart” and to be granted “an understanding heart” — literally, a listening or responsive heart).
In a time like ours, when the temptation to refuse or fail to see others as fully human — as making some claim on our sympathy, our compassion, as requiring from us some hesitation — is everywhere apparent, what would it mean to cultivate an “understanding/responsive heart”? What can we do to avoid a “hardened heart”?
Guest: Avril Alba is Professor of Holocaust Studies and Jewish Civilisation at the University of Sydney.

Sometimes the language we use every day, often unthinkingly, contains within it traces of a much older wisdom. Consider the phrases “I’ve changed my mind” and “I’ve had a change of heart”.
The first thing to notice is activity described by the verbs: one is something that we do — as the result of learning new information, or having experiences that alter our values or view of the world; the other is something we undergo, something that happens to us — we see something we couldn’t see before (as though the light shines differently upon it, as Wittgenstein would say), or the same person or phenomenon evokes a different feeling from us.
Perhaps it’s accurate to say that changing one’s mind is like taking a different path or going in a different direction, whereas having a change of heart is more like changing one’s compass bearings. But does that mean we are simply passive when it comes to such a reorientation of heart?
In this Ramadan series, we are examining what we’re calling the cardiocentrism of the moral life — which is to say, the vital importance of cultivating the inner disposition of what we most often call “the heart”: the faculty which stands for both our inner-most selves, and that which makes us receptive to moral realities or truths outside of ourselves.
The heart can act as a kind of moral compass which responds to moral realities we’d prefer to evade or avoid. Consider the pivotal moment in J M Coetzee’s novel Elizabeth Costello, when the eponymous character responds to demands for reasons or “principles” that would ground her horror in response to the mass killing of animals for food: “I was hoping not to have to enunciate principles”, she says. “If principles are what you want … I would have to respond, open your heart and listen to what your heart says.”
So perhaps we can’t change our hearts, but does this suggest it is incumbent on us to maintain a certain “openness” or sustained “exposure” to moral realities we’d rather ignore — and that such openness is a precondition for undergoing a change of heart?
Guest: Claire Zorn is the multi-award-winning author of five novels and the author/illustrator of two picture books. Her most recent book is Better Days.
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UPCOMING LIVE RECORDING
When: Tuesday, 10 March 2026, from 1:45 pm to 3 pm
Where: Customs House, The Long Room, Brisbane City, QLD
“The Aesthetics of Power: Why Authoritarianism Needs Spectacle”
As democratic norms erode around the world, the performance of political power has become increasingly theatrical. From militarised displays to orchestrated media moments, authoritarian movements rely on spectacle to project stability, legitimacy and inevitability.
In partnership with the Brisbane Writers Festival and as part of the University of Queensland’s Dialogues Across Difference series, this special live recording of ABC Radio National’s The Minefield brings together acclaimed journalist and New York Times columnist M Gessen with co‑hosts Waleed Aly and Scott Stephens. Together, they will explore why modern authoritarianism depends on spectacle — and how aesthetics shape the public imagination and the conditions of democratic life.
Attendance is free, but registration on Eventbrite is essential.

Judging by the way we use the word in everyday speech, we intuitively know what we mean when we refer to “the heart”. We are most often gesturing toward the essence of a thing, its core, what you reach once you strip everything non-essential away.
That idea is very much in keeping with what we do each year during the month of Ramadan: we try to put wider concerns and contentious debates in politics, society and culture to the side in order to focus on some of the more fundamental dispositions and practices that sustain and deepen the moral life — essential things that we frequently neglect in our haste and agitation.
But, of course, that’s not the only way we use the word “heart”. It’s also a reference to what is truest about us, our interior orientation, what we want and value, sometimes despite our attempts to present ourselves otherwise or dissemble what secretly resides within. When we use terms like “heartfelt” or “heart-to-heart”, aren’t we talking about a deeper kind of emotion or a more sincere or authentic kind of conversation, one in which certain conventions or forms of conventionalised self-presentation have been set aside?
The idea of the centrality of the heart is a very old one, stretching back to the ancient cultures of Egypt, Mesopotamia and China. But it was Aristotle in the fourth century BCE who gave the concept of ‘cardiocentrism’ its most thoroughgoing articulation. He considered the heart to be the organising principle of the body — its primary organ, its ‘archē’. The heart is the location of the soul and the source of the body’s heat; it is the organ that receives sensory stimuli from without and directs the body’s movements from within. He thus conceived of the heart as constituting, at once, the seat of intelligence, emotion, will, desire and sensation, and the inherent (or efficient) cause of the body’s unity, integrity and coordination.
This cardiocentric conception would eventually be taken up in the High Middle Ages by theologians and philosophers such as Ibn Sina (Avicenna), Ibn Rushd (Averröes), Al-Ghazālī, Albertus Magnus and Thomas Aquinas, and even in the seventeenth century by English physician William Harvey.
While it is no longer credible as a psycho-physiological theory, it is nonetheless striking how the centrality of the heart continues to pervade our language and moral sensibilities. Even now, “the heart” seems to possess a kind of double-aspect, it faces simultaneously in two directions: it stands for our inner-most selves (consider the term “heart of hearts”); it is also that which makes us receptive to moral realities or truths outside of ourselves. As Stephen Darwall puts it, “the heart” refers to: “the cluster of emotional capabilities and susceptibilities that fit one for emotional connection: dispositions to feel joy, grief, sadness, fear and distress for others, gratitude, trust, love …”.
Perhaps it is not a stretch to say that the moral life is cardiocentric, even though our physiology is not. Doesn’t this suggest that the health of our “hearts” should be a matter of moral, not just physical, concern?
Guest: Stephen Darwall is the Andrew Downey Orrick Professor of Philosophy at Yale University. He is the author of a number of landmark works of modern moral philosophy — including, chiefly, The Second-Person Standpoint and, more recently, The Heart and Its Attitudes.

One of the most unyielding aspects of life in the modern West is, perhaps, the ultimate value that we’ve come to accord to appearance. It is as though our essence, all that matters most about us as human beings, lies on the surface: our soul resides in our skin; how we look reveals who we truly are.
Over the last three decades, this has become especially pronounced through our various forms, not so much of self-expression as self-creation — from hair removal (or recovery) to body art, from strict fitness regimens and body sculpting through to the widespread uptake of GLP-1 weight-loss drugs.
None of these activities are wrong or detrimental in and of themselves. But when the gap between people is an ontological one — those who are self-creations are of a higher order than those who are still subject to the natural order — the result can be a hierarchy of beings whereby one is viewed with envy and the other with contempt. This can, of course, create its own drive toward conformity and belonging (experienced as an elevation in status) and the desire to escape social punishment, from shame.
Fashion can work similarly. As W. David Marx puts it:
“Fashion is a never-ending process of ‘chase and flight’. Low-status individuals chase high-status individuals by imitating their conventions, which forces elites to flee to new ones. Since this fleeing will lead to another round of chasing and then fleeing, fashion creates perpetual cultural change, with status serving as the motor.”
Again, there is nothing inherently problematic about the desire to conform — which is to say, belong — or the complex cultural demands asserted by fashion. But when it becomes a form of tyranny, the criterion by which our social status is judged, and either fashion or its fashionable refusal becomes the primary means by which we express our sense of ‘self’, the effect can have a suffocating, rather than freeing, effect on our inner life.
We partly acknowledge as much already in places like Australia in our insistence on school uniforms: for a particular period of our children’s lives, during which education, the cultivation of habits of learning, curiosity, discovery and surprise, takes precedence, we don’t want them judging others or being judged on the basis of what clothes they can afford. But taking ‘fashion’ out of the equation, we hope they will distinguish and express themselves in other ways. Which is to say: a certain denial of forms of individual expression (clothing) elevates everyone to a common level (community of learners) thereby enabling other ways to distinguish or express themselves (through the cultivation of interiority and sociality).
Within certain traditions of moral philosophy, this could find an analogue in a kind of modesty of expression: call it a commitment to non-ostentatiousness, a certain understatedness, a reticence to draw attention to oneself in order that one’s actions may not distract attention from others. It is not invisibility so much as it is principled transparency: desiring that the gracious light of one’s dignified life and actions be the means by which others are seen as worthy objects of love and bearers of dignity.
But this also has expressions in certain religious registers — as when a modest uniformity of appearance (such as the use of headcoverings, habits, robes and so on) signifies not so much the suppression of individuality as a common dedication and even the dignity of service to others or to the divine.
Could this point us in the direction of ways that the preciousness of the individual — and the richness of the interior life — can be saved from the tyranny of cultural demands for individuality?