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  • What does it mean to be committed to ‘net zero’?
    At the end of July, there was a strange juxtaposition of events that seemed almost designed to highlight the fault-lines which run through the political, legal, economic and ethical responses to climate change.On 23 July, the International Court of Justice handed down a non-binding advisory opinion that climate change constitutes an “urgent and existential threat”, that nations have an obligation to prevent climate change, and that the “failure of a state to take appropriate action to protect the climate system … may constitute an internationally wrongful act”.Just days later, two former leaders of the National Party — Barnaby Joyce and Michael McCormack — used the first parliamentary sitting week to prosecute their plan to see Australia abandon its commitment to reach its net zero emissions target by 2050. Their claim is that consumers, particularly those in the regions, will be made to bear the cost for honouring a commitment that means precious little when compared to the world’s major polluters. Net zero is thus a masochistic policy that amounts to little more than “virtue signalling” on the part of those who will not have to wear the consequences.Others have argued, though not quite so stridently, that “net zero” has achieved a kind of talismanic status — a morally pleasing target that expresses a certain moral seriousness and cannot help but hurl opprobrium at those who raise questions as to how realistically it can be reached and who will have to bear the brunt of costs. And climate scepticism aside, Joyce and McCormack have at least brought to the fore the tension between appearance and reality which has motivated a sizeable number of companies to leave Australia’s carbon credit market altogether over concerns for its efficacy and integrity.There have long been concerns that “net zero” is more like an accounting tool (hence the language of “offsets” and “credit markets”) than a substantive measure to both reduce carbon emissions and remove carbon from the atmosphere on an enormous scale — for it is only such coordinated, collective action that can hope to mitigate peak global temperatures and slow warming trends. Which is to say, it is only such action that can rise to the call to “responsibility” envisioned by the International Court of Justice.What, then, would it mean for Australia to honour its commitment to “net zero”, in substance and not just symbolically? What are the mechanisms, beyond the transition to renewable sources of energy and the existence of a well-functioning carbon market, that should be countenanced?You can read an analysis by Garrett Cullity and Christian Barry of the criticisms directed at “net zero” on ABC Religion & Ethics.
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  • What would be achieved by recognising a Palestinian state?
    On 24 July, French President Emmanuel Macron announced his intention to recognise a Palestinian state at the UN General Assembly in September, as part of France’s “historical commitment to a just and durable peace in the Middle East”. Just five days later, UK Prime Minister Keir announced that the UK, too, will recognise a Palestinian state in September:“unless the Israeli government takes substantive steps to end the appalling situation in Gaza and commits to a long term sustainable peace, including through allowing the UN to restart without delay the supply of humanitarian support to the people of Gaza to end starvation, agreeing to a ceasefire, and making clear there will be no annexations in the West Bank.”These announcements come at a pivotal moment. The humanitarian crisis in Gaza is worsening by the day, with the UNRWA Commissioner-General, Philippe Lazzarini, reporting that one in five children are malnourished and more than 100 people have died from starvation. Meanwhile, negotiations between Israel and Hamas that would see hostages returned and a durable ceasefire reached have broken down and there is little prospect of them resuming.It is important to note that, whereas in the past the prospect of recognition of a Palestinian state has been used as a way of getting representatives of the Palestinian Authority to meet certain conditions, here the threat recognition is being used to pressure Israel into abandoning its own intransigence.Even among those who are committed to a two-state solution, however, there remains some doubt as to whether recognition would materially change anything for Palestinians, at least in the short term. So what would be the point of bringing recognition forward in the peace process?
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  • What are recommendation algorithms doing to our sense of taste?
    There are few things more peculiar to a person than their preferences. Why it is they enjoy one genre of music over another, or a particular artist within that genre but not others. Why they derive specific pleasure from a certain type of fiction (romantasy, say, or Scandinavian procedurals) whereas others (like Agatha Christie’s Poirot crime novels or dystopian sci-fi) leave them cold.And then there’s that whole undergrowth of what we might call “guilty pleasures”: low-brow books or formulaic television series or lowest-common-denominator movies that we secretly enjoy but would be mortified if anyone found out.Which suggests, of course, that the network of preferences we call “taste” most often has a class dimension to it. Having specific tastes, and finding certain things distasteful, signals our belonging to the social stratum that has learned how to appreciate those cultural objects. It’s not that taste is altogether emptied of its subjective dimension — its ability to evoke authentic feeling, real enjoyment — but rather inner appreciation is in a kind of performative dialogue with the expectations of others.And yet even within the realm of taste, there are subtle distinctions. Immanuel Kant one between “the taste of sense” (what is pleasant to me) and “the taste of reflection” (which may not be immediately enjoyable, and which may require effort or patience or instruction before yielding its treasures). According to Kant, what is truly “beautiful” is only available to the taste of reflection — a form of enjoyment that we want to enjoy with others.In our world of endless digital reproduction, we increasingly rely on recommendation algorithms to curate our encounters with culture — algorithms that work along the lines of, “If you liked that, you will probably like this …” Algorithms, in effect, attempt to make our preferences legible, which is to say, predictable, offering us more of the same in order to keep us interested and engaged.In this way, algorithms can only work at the level of what Kant called the taste of sense — they can operate along the lines of “likes” or “dislikes”.But algorithmic recommendations cannot read the subtleties of our preferences, they tend toward massification, and they rule out the possibilities of both aesthetic achievement — learning how to appreciate, even love, what we didn’t initially “like”.
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  • Why are regressive expressions of masculinity now so popular?
    In a justly famous 1910 essay titled “The Moral Equivalent of War”, the American philosopher William James rejected the “fatalistic view” that war is an inevitability between nations, and expressed his hope of “a future when acts of war shall be formally outlawed as between civilized peoples”.For all this, however, James confessed that he did not believe “peace either ought to be or will be permanent on this globe, unless the states … preserve some of the old elements of army-discipline”. He feared that, in the absence of the cultivation of certain martial virtues — “intrepidity, contempt of softness, surrender of private interest, obedience to command” — a “peace-economy” would ultimately devolve into a “simple pleasure-economy”. Hence his appeal to discover what he would call a “moral equivalent of war”:“If now — and this is my idea — there were, instead of military conscription, a conscription of the whole youthful population to form for a certain number of years a part of the army enlisted against Nature, the injustice would tend to be evened out, and numerous other goods to the commonwealth would remain blind as the luxurious classes now are blind, to man’s relations to the globe he lives on, and to the permanently sour and hard foundations of his higher life.”What William James is calling for, of course, is a form of national service — a mass mobilisation of young men (and it is, unquestionably, men that James has in view), not in order to engage in warfighting, but for the sake of nation-building. The cultivation of manliness and military discipline that would result, James hoped, would then form a kind of “cement” upon which peaceful societies could be built.It is a compelling vision, and resonates with calls in many quarters for the establishment of forms of compulsory national service and the restoration of rites of passage for young men — collective experiences meant to initiate them into adulthood, and prepare them for the responsibilities that come along with it. These calls are also arising at a time when the very concept of masculinity itself is shrugging off a degree of the shame or opprobrium it has accumulated (most often in the form of the adjective “toxic”), particularly under the aegis of the #MeToo movement.Indeed, one of the more conspicuous dynamics at work during the 2024 US presidential campaign was the relentless association of “liberals” or “Democrats” with weakness, enfeeblement, effeminacy, hysterical emotionality … whereas Donald Trump and his ilk were powerful, rebellious, virile, stoic — in a word, masculine. It was hardly coincidental that Trump made so many appearances at UFC events and on macho podcasts. In its own way, the 2024 US presidential election was restaging the ancient contrast between Sparta and Athens, between Rome and Greece.“Extreme fitness” content online, the almost religious significance of gyms and the iconography of the “swoll” male body does seem to point to a kind of rejection of the liberal “pleasure economy” in favour of the military virtues of “hardihood”, discipline, preparedness to struggle, “contempt of softness”.And yet this performative masculinity ultimately lives and thrives online — and as such, is not only narcissistic but eschews the “surrender of private interest” and “obedience to command” that William James believed needed to be cultivated in order to ward off self-directed egotism.If we accept that young men may be craving the restoration of a sense of honour, of pride even, to the concept of masculinity, can this be done without the performative egotism, without the contempt for “softness”, without the will to dominate, that seems so much part of online culture?You can read Samuel Cornell’s article “Welcome to the age of fitness content — where men train for battle without ever experiencing war” on ABC Religion & Ethics.
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  • “There’s a horse loose in a hospital”: What John Mulaney gets right about (non-)political comedy
    Could a stand-up routine ever rise to the level of “art” — the kind of performance that rewards multiple viewings, whose humour grows and deepens, which contains subtleties waiting to be discovered? A sketch certainly can. Just think of Abbott and Costello’s “Who’s on First?” from 1944, or the trial of Ravelli in the Marx Brothers’ Duck Soup from 1933, or Peter Cook and Dudley Moore’s “One Leg Too Few” from 1964. With each new viewing, the comedic timing, the precision and cleverness of the puns, the exaggerated physicality, the sheer virtuosity of the writing cannot help but surprise and delight all over again.But with most stand-up, the humour arises from a certain immediacy: the interaction between the material and the peculiarity of the times in which it is delivered, and between the comedian and the physical audience. The frisson that arises from that interaction, the shock or surprise the comedian is able to elicit, is hard to re-experience to the same degree.It stands to reason, then, that if a stand-up act was to endure as a piece of comedic art, it would most likely be performed by a comedian who cut his teeth while working as a sketch writer for a show like Saturday Night Live.Enter John Mulaney. There is something undeniably enduring, timeless even, about his Netflix special “Kid Gorgeous at Radio City”. It was recorded in 2017 — in the aftermath of Trump’s first election to the US presidency, when public bewilderment was still offset somewhat by the belief it wouldn’t last long — and won an Emmy for Outstanding Writing for a Variety Special in 2018.Mulaney’s act exhibits a strange sort of genius, though. It is obviously a piece of writing. Indeed, he explicitly references the act of comedic writing throughout the routine.Mulaney is also assiduously non-political — right up until the moment that he isn’t. It begins with a nostalgic nod: “I just like old-fashioned things. I was in Connecticut recently, doing white people stuff …” He makes reference to the oddity of coming across a gazebo that was “built by the town in 1863”: “Building a gazebo during the Civil War, that’d be like doing stand-up comedy now.”And then he embarks on a metaphor for the Trump presidency that has been hailed by many as genius: “Here’s how I try to look at it, and this is just me, this guy being the president, it’s like there’s a horse loose in a hospital …”The aesthetic connection between Donald Trump’s golden coiff and a horse’s mane is, of course, immediately pleasing. As is the invocation of something heedless thundering through a finely tuned environment. There’s the added benefit that Trump’s name is not mentioned once, and yet the entire simile works. The question is … why?
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In a world marked by wicked social problems, The Minefield helps you negotiate the ethical dilemmas, contradictory claims and unacknowledged complicities of modern life.
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