Warfare of Art & Law Podcast

Send us a textPhotographer credit for Anja Neubauer: self-portrait created with an AI tool.Show Notes:2:30 Prof. Tim McFarlin’s focus on copyright and authorship3:30 Dr. Caterina Moruzzi’s philosophical/design perspective / focus on authenticity5:00 Dr. Anja Neubauer's focus on global AI/copyright framework5:50 Artist Lisa Lebofsky’s perspective on AI as a nomadic painter8:45 “Authenticity Unmasked”–looking at the artistic process not the product9:55 “Authenticity Unmasked” insight-centrality of human perspective12:00 Neubauer–redefinition of terms like originality in light of emerging tech13:30 Getty v. Stability finding  outputs are not copies so not infringements14:55 McFarland–genAI’s scale and redefining understanding of terms17:05 US state and federal laws 19:00 need for unified global protection19:50 Alan Robershaw – UK Getty decision’s technical focus on the process 21:40 Defining originality 22:10 Getty opinion at 601 v. AI models are memorizing/making copies 24:00 Robertshaw - one step away from judicial definition of consciousness24:40 McFarland – scale is the concern25:35 Lebofsky – how prior claims of infringement fit into AI/appropriation of artists’ works26:20 McFarland – ‘substantially similar’ takings are prima facie infringement subject to fair use defense27:10 consideration of outputs flooding the market harm 29:25 Lebofsky – use of AI through tools like AI Charm Lab app 31:00 Lebofsky’s view of threats to her style and her language 32:45 human requirement for ‘authorship’ and consumer trends35:55 Moruzzi – human effort to value the process37:15 Process visible in generative AI circa 2015 v. current genAI’s less visibility and thus less authenticity38:30 Anthroprocentric – human need for authorship40:20 Robershaw - Monkey-selfie case; animal versus machine personhood 43:15 McFarland – Arkansas statute on AI44:40 Gould – UK Section 9(3) - limited copyright for output in person who organized the output45:00 Neubauer – issue of term “equipment” for tools 46:50 Gould – current copyright legislation is not fit for purpose48:35 Distinction between camera use and AI model training49:05 Copyright Criminals documentary regarding music sampling 50:00 Sampling case involving Kraftwerk 51:35 Moruzzi – response to consultations53:00 McFarland – extent of law v. parallel tracks to copyright or other alternatives to preserve and protect human creativity54:00 Stefania Salles Bruins–solutions outside the law54:40 Copyright not fit for purpose 55:20 Neubauer - Shift in definition of artwork55:45 Lebofsky – how to establish boundaries57:25 Robertshaw re: Lebofsky’s paintings58:00 Salles Bruins – Lebofsky’s coding that cannot be replicatedPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

Send us a textShow Notes:1:45 introduction of The Surviving Project5:45 three parts of Through Their Eyes Exhibition7:00 Wings of Hope messages9:00 stories from the delegation10:15 exhibition mission11:30 future cities for the exhibition: Chicago, Atlanta, LA, NYC, Toronto12:40 how the exhibition addresses theme of drawing strength from what’s lost15:00 defining justice – the way of getting back is continuing on16:30 legacy of the exhibition 18:00 Through Their Eyes ExhibitionPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

Send us a textOluwatobi Aluko photo by Praise SamuelShow Notes:2:50 Tobi Aluko–Nigerian copyright 5:30 Nigeria’s national AI strategy and creative sector 7:25 Emily Gould – query on tech sector’s strength in Nigeria9:40 debate over UK’s copyright provision for machine-generated work11:40 Johan Brandstedt - Sweden’s approach to copyright 13:40 Czech Republic case on AI and copyrightability 16:40 Aluko – prompting versus creating art that involves effort/process19:00 US copyright for A Single Piece of American Cheese 20:30 Prof. Ahmed Elgammal - background of AI use in the arts23:45 19th C. French case on copyright of photographs that show originality 24:45 US refusal to copyright AI outputs 26:35 Bartz v. Anthropic and Kadrey v. Meta 30:45 AICAN project32:55 GAN-based art movement celebrated prior to prompting33:55 “Text-to-Image Generators Have Altered the Digital Art Landscape—But Killed Creativity. Here’s Why an Era of A.I. Art Is Over”34:25 artists survey on value from AI37:15 backlash of Christies’ auction of Generative AI works 41:50 Elgammal – effort versus intentionality e.g., DuChamp/ready-made art42:30 intentionality and agency missing with prompting and random output 51:40 AI's cultural impact 1:04:30 Beethoven X project Please share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

Send us a textShow Notes:1:30 background2:45 shift to add activist element to her art4:00 response to 7 October 2023 during residency at LMCC 5:30 ‘artivism’5:45 workshop at Israeli American Council event6:45 Rosh Hashanah gift for families of hostages9:00 how her work facilitates justice12:30 defining justice through recognition and healing13:20 work as a curator to connect voices13:50 “Artists on Antisemitism” exhibition 15:00 co-curated with director of Jewish Art Salon15:40 LA-based artist Marina Heinze included in exhibition 15:45 Joan Roth17:30 Ronit’s “David” kisses painting included in exhibition 19:40 Chai meaning alive 19:50 use of technology in her work as a bridge for global participation21:40 heat-activated work that shows happiness levels like mood rings23:25 Stefania Salles Bruins: connection between art and justice making whole26:00 work by Marina Heinze in Artists on Antisemitism exhibition 27:10 other exhibitions she has curated27:50 work in the antisemitism exhibition 28:40 fellowship in Germany in collaboration with German Academic Exchange Service (DAAD) - art's importance in memory and justice29:00 urgency of keeping the Holocaust alive in the conversation today29:45 murder of Ukrainian refugee Iryna Zarutska30:00 to hold and carry memory forward to inspire vigilance and resilence 30:40 artists as witnesses of our time and responsibility to be an activist32:00 “Wandering Jew” project for 2026 Jerusalem Biennale34:00 Drawdy’s definition of justice 34:50 Drawdy’s focus on stories to highlight 35:20 Alan Robertshaw’s comments36:00 art speaking for itself 36:50 “Written in Water” and “Project Forgiveness” - 2018 NY Spring/BreakPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

Send us a textCover photograph credit: Jessica MinorLink to PowerPoint presentation referenced in episode is available here.Show Notes:1:20 intro and background2:40 Slide 4 - Overview of Part I: 6 & ½ tips & tricks: 1 – perspective & point of view; 2 – Light; 2-1/2 – shadow; 3 – value / contrast; 4 – temperature; 5 – depth and illusion of 3-D; 6 – line5:00 Slide 5: Point 7 - Brushstrokes6:35 thickness of paint7:00 blending with dry brush8:00 Slide 6: Point 8 - Layering9:40 ‘fat over lean’ rule11:15 scumble – layer of opaque white 11:30 glaze – transparent layer over an underpainting12:40 Slide 7: Point 9 - Paint as a Language15:50 Slide 8: Point 10 - The Figure19:45 Slide 9: Point 11 – The Palette32:40 glazing 33:50 Slide 10: Point 12 – Studio Practice42:50 figurative group show with artist from Hip Bone Art Studio43:45 process of applying to shows45:00 narrative/figurative and surrealist approach to still life work46:05 artist statements48:45 sharing WIP and final works51:20 connection to the cranial optic nerve – thinking with our eyes when painting1:00:00 painting from imagination with focus on ‘technique in service of art’1:02:10 how to deal with writers’ block and painters’ blockPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]