A year after the deeply political Pull Up Some Dust And Sit Down, Cooder went one step further and made Election Special, his contribution to the 2012 presidential election in the United States. Clearly on Obama's side and genuinely angry about the corporate takeover of society, he made an album in the tradition of Woody Guthrie, Joe Hill and Pete Seeger: a collection of folk and rock songs for the modern depression. It is as relevant today as it was then, to say the least. This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
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39 Pull Up Some Dust and Sit Down (2011)
In response to the Bush presidency, Cooder produced what could be described as the modern-day equivalent of the kind of dustbowl ballads Woody Guthrie once sang. On Pull Up Some Dust and Sit Down, he took aim at politicians, corporate greed and military action – all issues close to Guthrie's heart in the 1930s and '40s.– In this episode we also talk about Cooder's first and only book, and a few other things. This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
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38 I, Flathead (2008)
On I, Flathead, the final part of his California trilogy, Cooder turns his attention to the blue-collar types of the fifties and their music. It is about the kind of workers who toiled in the old Santa Monica airplane factory a few blocks from his childhood home, and the country, honky-tonk, and western swing he listened to so intently on the radio as a boy.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
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37 My Blueberry Nights (2007) / We’ll Never Turn Back (2007)
2007 brought us not only Cooder's solo effort My Name Is Buddy, but also some very interesting contributions. He composed film music for Wong Kar-wai's My Blueberry Nights. And with Mavis Staples, he made an album that's right up there with his best productions. We’ll Never Turn Back is not one hundred percent Cooder, but it's certainly ninety-nine and a half. We also take a look at some more session work.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
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36 My Name Is Buddy (2007)
Two years after Chávez Ravine, My Name Is Buddy was a return to folk and dustbowl blues. In other words, to the kind of music Cooder had begun his career with. It is a song cycle set in the 1930s, but with clear references to the present – another California opus that would become the middle part of a full-fledged trilogy. Needless to say, it was another masterpiece.This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
“The Ry Cooder Story“ delves deep into the legendary career of master guitarist Ry Cooder. Prepare to embark on a journey spanning 60 years of musical genius. From his humble beginnings as a session musician with the likes of The Rolling Stones or Randy Newman, to his rise as a solo artist (“Bop Till You Drop“), film composer (“Paris, Texas“), or world musician (Buena Vista Social Club), Ry Cooder's contributions to the world of music are unparalleled. Each episode provides comprehensive insights into Cooder’s creative process, collaborations, and profound influence on countless artists.This podcast uses a new production method. Thanks to a text-to-speech generator, all voices are spoken by an AI. But don't worry: it sounds like good radio, with pleasant sound, changing voices, and - most importantly - decent English. This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenFollow us on Facebook, Instagram, Tik Tok and YouTubeSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.
Australia