Powered by RND
PodcastsArtsTalkhouse Podcast

Talkhouse Podcast

Talkhouse
Talkhouse Podcast
Latest episode

Available Episodes

5 of 578
  • George Clarke (Deafheaven) with Jae Matthews (Boy Harsher)
    On this week’s Talkhouse Podcast, we’re giving a nod to the heavier end of things with a conversation between George Clarke of Deafheaven and Jae Matthews of Boy Harsher. Deafheaven is the impossible to pin down metal band that has pushed genre boundaries since breaking out with 2013’s epic Sunbather. They’ve been the subject of much debate in the heavy music community over the years, since they’ve wiggled elements of shoegaze and even Brit rock into the world of black metal. It’s been a fascinating journey to watch, as the band navigates its own muse, seemingly without regard to any genre lines that might exist. 2021’s Infinite Granite took a pretty huge leap toward a more accessible sound, while this year’s Lonely People With Power heads back into the darkness—even as it’s produced by the pop-leaning Justin Meldal-Johnson, whose name comes up in this chat. The other half of today’s conversation is Jae Matthews, who’s also half of the darkwave-slash-coldwave band Boy Harsher. Deeply influenced by film, the duo’s most recent album, The Runner, serves as a sort-of soundtrack to a world they continue to imagine—one full of synths, beats, and lots of mood. As you’ll hear in this chat, Boy Harsher has been busy writing new material in a way they haven’t before. But in the meantime, Matthews contributed some striking vocals to a truly striking song on the new Deafheaven record. Check out “Incidental II” right here—you’ll need to listen to the entire thing to really get where it’s coming from. In this conversation, Clarke and Matthews talk about DJing versus performing, about finding inspiration in solitude, about whether being sober hurts or helps a performance, and of course, about Matthews’ contribution to Deafheaven’s Lonely People With Power. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Jae Matthews and George Clarke for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
    --------  
    51:10
  • Bob Mould with Will Anderson (Hotline TNT)
    On this week’s Talkhouse Podcast, we’ve got an absolute legend of the punk and indie-rock worlds in conversation with a relatively newer voice who’s making some great music, too: Bob Mould and Will Anderson. Bob Mould got his start in the late 1970s with the Minneapolis-born punk / post-punk band Husker Du, a trio that was at the tip of the spear of incredible new sounds. After that band ran out of jet fuel in the late 1980s, Mould embarked on a solo career and also created the band Sugar, itself a touchstone outfit. Mould has released a total of 15 solo albums over the years, and there’s not a dud in the bunch. His latest is a tuneful, melodic set of ragers called Here We Go Crazy, which he once again made with his ace rhythm section, Jon Wurster and Jason Narducy. He’s toured a bunch in support of the record with those guys, but his next set of dates—in August and September, check bobmould.com for details—will find him playing solo-electric, which is also a powerful way to experience these songs. Check out the title track of Here We Go Crazy right here. The other half of today’s conversation is Will Anderson, who’s been making music for the past few years under the name Hotline TNT—sometimes by himself, sometimes with a rotating band of players. His first album under the name, Nineteen in Love, was recorded by himself during COVID, all in GarageBand. His third—and second for Jack White’s Third Man Records—feels much more like a full-band affair: It’s more fleshed out and expansive. Hotline TNT has frequently been called a shoegaze band, but it’s a tag that Anderson is quick to refute, at least a little bit: In this conversation, he says that his shoegaze knowledge pretty much begins and ends with My Bloody Valentine. Whatever you call it, its swirls and layers feel pretty damn good right now. Check out a little bit of “Julia’s War” from the latest Hotline TNT album, Raspberry Moon. In this great chat, Bob and Will talk about Bob’s recent commencement speech at his alma mater and they also chat about the proper construction of an album, playing overseas for the first time, Bob’s Super Bowl appearance and much more. Enjoy! Thanks for listening to the Talkhouse Podcast, and thanks to Will Anderson and Bob Mould for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
    --------  
    52:29
  • Ben Gibbard (Death Cab For Cutie) with Natalie Lew (Sea Lemon)
    On this week’s Talkhouse Podcast we’ve got one of our favorite repeat Talkhouse guests alongside an artist who just released her debut album—on which they collaborated. It’s Ben Gibbard and Natalie Lew. Gibbard is of course the frontman and primary songwriter behind both Death Cab for Cutie and The Postal Service, and he’s been writing heartfelt, incredible songs for the past, oh, 30 years or so. The latest Death Cab album, called Asphalt Meadows, came out back in 2022, but he’s kept busy with an anniversary Postal Service tour and, coming later this summer, some shows celebrating the 20th anniversary of Death Cab’s Plans album. I’m a fan—the guy has written some of my favorite songs of all time, and he hasn’t lost a step over the years. He’s also been super supportive of other musicians over the years, including today’s other guest. Natalie Lew who, like Gibbard, calls Seattle home, records under the name Sea Lemon. Like a lot of younger artists, she started out by releasing singles and EPs, but in May she graduated to what some folks think it’s a lost artform: the full-length album. It’s called Diving for a Prize, and it’s full of shoegazy indie-pop goodness, hiding catchy melodies under swirling layers. Gibbard was already a fan of Sea Lemon’s music, so it seemed like a no-brainer that she’d ask him to duet on a song from the album. Check out “Crystals” right here. In this lively chat, these two talk about their shared city and how they’ll never live anywhere else, the sanctity of the album as an artistic statement, and whether they’d like to venture into creative pursuits beyond music. One of them is a yes, the other not so much. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Natalie Lew and Ben Gibbard for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
    --------  
    52:08
  • Podcast Preview: All One Song: A Neil Young Podcast with Steve Gunn
    Subscribe to All One Song: A Neil Young Podcast Welcome to the very first episode of All One Song: A Neil Young podcast, presented by Aquarium Drunkard Transmissions. Join liner notes author, musician, and Shakey historian Tyler Wilcox and an array of great musicians and writers discussing their favorite Neil Young song, diving deep into Shakey lore and getting personal about this amazing body of work. It’s a series for Neil heads by Neil heads. Our first guest on All One Song should need no introduction for long time Aquarium Drunkard readers. But let’s give him one anyway! For the past 15 years or so, ⁠Steve Gunn⁠ has built up one of the strongest, most wide-ranging catalogs in independent music. He’s released classic albums on such labels as Three Lobed, Paradise of Bachelors, Matador and more. Steve is a singer-songwriter-guitarist triple threat with a powerful sense of adventure and imagination that’s always worth paying attention to, whether he’s collaborating with drummer John Truscinski in the ⁠Gunn-Truscinski Duo⁠, creating beautiful soundscapes ⁠with David Moore⁠, or ⁠playing all on his own⁠. Steve’s latest album, ⁠Music For Writers⁠, falls into the latter category. Coming out on August 15 on Three Lobed, this is his first completely solo instrumental record — he played all the instruments, building luminous, hypnotic pieces that encourage the listener to slow down and really listen. The songs here aren’t just ambient background sounds. They’re sonic meditations that take you to some other place.   The solo aspect of Music For Writers dovetails nicely with the Neil Young song that Steve chose for us to discuss: “Will To Love.” This is a unique one in Neil’s catalog and a song that’s prized by die-hard Shakey fans. Accompanied only by a crackling fire, Neil recorded the basic track at his ranch in the spring of 1976, somewhere in between his European tour with Crazy Horse and the ill-fated Stills-Young Band trip that summer. Then he put it aside, for a few months, only returning to it in December of 76, when he went into Indigo Studios in Malibu to overdub vocals, keyboards, guitars, drums, even vibes, aided and abetted by producer David Briggs. By the time it was released on American Stars n Bars in 1977, “Will To Love” was a ghostly, seven-minute piece of music that’s unlike almost anything else he’d done before or anything he’s done since. Let's dive in. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
    --------  
    1:04:25
  • Nobody’s Ever Asked Me That: Terence Nance
    On the latest episode of the Talkhouse Podcast’s spin-off series, host Nick Dawson sits down with writer, director, artist and musician Terence Nance, a longtime Talkhouse Film contributor best known for his debut feature, An Oversimplification of Her Beauty, and his boundary-pushing HBO series Random Acts of Flyness. In this very wide-ranging conversation, the two touch on numerous topics, including: communing with the dead, St. Peter as a Pauline Kael archetype, Tyrese Haliburton’s Game 7 injury in the context of stoic masculinity, the Abrahamic idea of God as surveillance system, why humans are seemingly hastening the end of the world, a discussion of the two AIs — Allen Iverson and artificial intelligence, plus Terence being fired by Warner Bros. as the writer-director of Space Jam 2, and how he handled the aftermath of that. For more filmmakers talking film and TV, visit Talkhouse at talkhouse.com/film. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.
    --------  
    54:24

More Arts podcasts

About Talkhouse Podcast

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. Explore more illuminating shows on the Talkhouse Podcast Network.
Podcast website

Listen to Talkhouse Podcast, Style-ish and many other podcasts from around the world with the radio.net app

Get the free radio.net app

  • Stations and podcasts to bookmark
  • Stream via Wi-Fi or Bluetooth
  • Supports Carplay & Android Auto
  • Many other app features

Talkhouse Podcast: Podcasts in Family

  • Podcast That's How I Remember It
    That's How I Remember It
    Music, Music Interviews
  • Podcast Life of the Record
    Life of the Record
    Music, Music Interviews
Social
v7.22.0 | © 2007-2025 radio.de GmbH
Generated: 7/31/2025 - 12:53:18 AM